As you approach the Desert Holocaust Memorial, you see a circular row of trees. These trees represent life outside of the enclosed fence of the concentration camps. At the entry to the memorial you will see a bronze plaque which gives a chronology of the systematic deprivation by law of the civil rights, jobs, property and life of “non-Aryans” by the Nazi party. Inside the history pedestal is buried an urn containing the verified names of 12,000 Righteous Gentiles who hid or assisted those condemned by Nazi regime during the years of the Holocaust. At the heart of the memorial are seven larger than life bronze figures representing the people and different aspects of the Holocaust. The standing man is intended to be defiant and accusing. He in part represents the resistance of the Jews and others that fought the Nazi tyranny. (Note the left forearm on this man bears the number tattooed on a local Holocaust survivor.) The other figures are of a mother with two children begging for mercy, a boy from the ghetto, a rabbi praying, and finally the figure behind the group, a man alone, silent, dying. His death represents bigotry, ignorance, and hatred taken to its inevitable end. The faces and representations at the memorial were taken from actual photographic and news footage researched by the artist's team at the United States Holocaust Museum in Washington D.C. The seven bronze figures are mounted on a double-tiered Star of David 20 feet across. The block granite is etched with a map of Europe indicating the location of the many concentration camps as well as the number of persons who perished. The cobblestone and light standards are replicas of those at Auschwitz. Placed between the light posts are eleven bas reliefs telling the story of the Holocaust. A plaque located adjacent to each details the specific scene represented. This memorial includes extensive provisions for educating people of all ages, races, and religions about the period of the Holocaust. It is a lesson about denial of basic civil rights. The monument memorializes lost parents, children, loved ones, and millions of innocent people. It is a place of respect, of respite, of mourning and of remembrance. It is also a monument of hope — hope that we can overcome bigotry and live among diversity in peace. -Desert Holocaust Committee.
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JK Design/NSGJK Designs’ Principal, John Kinkade, founded the National Sculptors’ Guild in 1992 with a handful of sculptors who wished to find thoughtful public applications for their work. Representation has since grown to over 20 contracted sculptors and painters; plus an extended network of 200+ artists that our design team works with on a regular basis to meet each project's unique needs. click here for a list of our over 500 large-scale placements. Archives
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