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Ho'okipa by Jane DeDecker for Hawaii

9/13/2023

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Jane DeDecker and the National Sculptors' Guild were selected by Hawaii's State Foundation on Culture and Arts for a sculpture placement at their renovated Ho'okipa Cottages, a part of the Women's Correctional Facility. We are really pleased that our concept has been approved by the commissioners and we are into the next phase of realizing this beautiful sculpture as a monumental bronze for the community.  She is a universal figure of compassion and acceptance, representative of a Tutu (grandmother). It is our hope that this figure will provide a positive space for the women, workers and visitors, where one can sit and reflect, seek guidance, see themselves in her, or someone they love.   The design is of a female figure seated with outstretched arm draped in Hawaiian lei’s that she is offering to her fellow Hawaiians and the island at large; in an expression of aloha; compassion, gratitude and acceptance.
Jane DeDecker and the National Sculptors' Guild were selected by Hawaii's State Foundation on Culture and Arts for a sculpture placement at their renovated Ho'okipa Cottages, a part of the Women's Correctional Facility. We are really pleased that our concept has been approved by the commissioners and we are into the next phase of realizing this beautiful sculpture as a monumental bronze for the community.

She is a universal figure of compassion and acceptance, representative of a Tutu (grandmother). It is our hope that this figure will provide a positive space for the women, workers and visitors, where one can sit and reflect, seek guidance, see themselves in her, or someone they love. 

The design is of a female figure seated with outstretched arm draped in Hawaiian lei’s that she is offering to her fellow Hawaiians and the island at large; in an expression of aloha; compassion, gratitude and acceptance.

"Beyond a greeting, aloha can describe a deep love and respect for people—including oneself—and places. The ancient kahunas (priests) taught that living the Spirit of Aloha meant sending and receiving positive energy to everything and everyone in your environment." (PBS, American Masters)

The benevolent gesture of the sculpture is symbolic of the traditional Hawaiian customs of 'Aloha' and 'Ho'okipa', the Native Hawaiian value of hospitality and giving. Native Hawaiians have always believed in selflessly extending themselves to others, whether they had close ties with them or not. This is an ideal sentiment for artwork representing the renovated Ho'okipa Cottage, where women learn ways they can individually grow and contribute to the greater community. The more one cares for the world, the greater the world will sustain and provide.

Jane DeDecker and the National Sculptors' Guild were selected by the State of Hawaii for a sculpture placement at their renovated Ho'okipa Cottages, a part of the Women's Correctional Facility. We are really pleased that our concept has been approved by the commissioners and we are into the next phase of realizing this beautiful sculpture as a monumental bronze for the community.

She is a universal figure of compassion and acceptance, representative of a Tutu (grandmother). It is our hope that this figure will provide a positive space for the women and visitors, where one can sit and reflect, seek guidance, see themselves in her, or someone they love. 

The design is of a female figure seated with outstretched arm draped in Hawaiian lei’s that she is offering to her fellow Hawaiians and the island at large; in an expression of aloha; compassion, gratitude and acceptance.

"Beyond a greeting, aloha can describe a deep love and respect for people--including oneself--and places. The ancient kahunas (priests) taught that living the Spirit of Aloha meant sending and receiving positive energy to everything and everyone in your environment." (PBS, American Masters)

The benevolent gesture of the sculpture is symbolic of the traditional Hawaiian customs of 'Aloha' and 'Ho'okipa', the Native Hawaiian value of hospitality and giving. Native Hawaiians have always believed in selflessly extending themselves to others, whether they had close ties with them or not. This is an ideal sentiment for artwork representing the renovated Ho'okipa Cottage, where women learn ways they can individually grow and contribute to the greater community. The more one cares for the world, the greater the world will sustain and provide.
Jane DeDecker and the National Sculptors' Guild were selected by the State of Hawaii for a sculpture placement at their renovated Ho'okipa Cottages, a part of the Women's Correctional Facility. We are really pleased that our concept has been approved by the commissioners and we are into the next phase of realizing this beautiful sculpture as a monumental bronze for the community.

She is a universal figure of compassion and acceptance, representative of a Tutu (grandmother). It is our hope that this figure will provide a positive space for the women and visitors, where one can sit and reflect, seek guidance, see themselves in her, or someone they love. 

The design is of a female figure seated with outstretched arm draped in Hawaiian lei’s that she is offering to her fellow Hawaiians and the island at large; in an expression of aloha; compassion, gratitude and acceptance.

"Beyond a greeting, aloha can describe a deep love and respect for people--including oneself--and places. The ancient kahunas (priests) taught that living the Spirit of Aloha meant sending and receiving positive energy to everything and everyone in your environment." (PBS, American Masters)

The benevolent gesture of the sculpture is symbolic of the traditional Hawaiian customs of 'Aloha' and 'Ho'okipa', the Native Hawaiian value of hospitality and giving. Native Hawaiians have always believed in selflessly extending themselves to others, whether they had close ties with them or not. This is an ideal sentiment for artwork representing the renovated Ho'okipa Cottage, where women learn ways they can individually grow and contribute to the greater community. The more one cares for the world, the greater the world will sustain and provide.
Jane DeDecker and the National Sculptors' Guild were selected by the State of Hawaii for a sculpture placement at their renovated Ho'okipa Cottages, a part of the Women's Correctional Facility. We are really pleased that our concept has been approved by the commissioners and we are into the next phase of realizing this beautiful sculpture as a monumental bronze for the community.

She is a universal figure of compassion and acceptance, representative of a Tutu (grandmother). It is our hope that this figure will provide a positive space for the women and visitors, where one can sit and reflect, seek guidance, see themselves in her, or someone they love. 

The design is of a female figure seated with outstretched arm draped in Hawaiian lei’s that she is offering to her fellow Hawaiians and the island at large; in an expression of aloha; compassion, gratitude and acceptance.

"Beyond a greeting, aloha can describe a deep love and respect for people--including oneself--and places. The ancient kahunas (priests) taught that living the Spirit of Aloha meant sending and receiving positive energy to everything and everyone in your environment." (PBS, American Masters)

The benevolent gesture of the sculpture is symbolic of the traditional Hawaiian customs of 'Aloha' and 'Ho'okipa', the Native Hawaiian value of hospitality and giving. Native Hawaiians have always believed in selflessly extending themselves to others, whether they had close ties with them or not. This is an ideal sentiment for artwork representing the renovated Ho'okipa Cottage, where women learn ways they can individually grow and contribute to the greater community. The more one cares for the world, the greater the world will sustain and provide.
Jane DeDecker and the National Sculptors' Guild were selected by the State of Hawaii for a sculpture placement at their renovated Ho'okipa Cottages, a part of the Women's Correctional Facility. We are really pleased that our concept has been approved by the commissioners and we are into the next phase of realizing this beautiful sculpture as a monumental bronze for the community.

She is a universal figure of compassion and acceptance, representative of a Tutu (grandmother). It is our hope that this figure will provide a positive space for the women and visitors, where one can sit and reflect, seek guidance, see themselves in her, or someone they love. 

The design is of a female figure seated with outstretched arm draped in Hawaiian lei’s that she is offering to her fellow Hawaiians and the island at large; in an expression of aloha; compassion, gratitude and acceptance.

"Beyond a greeting, aloha can describe a deep love and respect for people--including oneself--and places. The ancient kahunas (priests) taught that living the Spirit of Aloha meant sending and receiving positive energy to everything and everyone in your environment." (PBS, American Masters)

The benevolent gesture of the sculpture is symbolic of the traditional Hawaiian customs of 'Aloha' and 'Ho'okipa', the Native Hawaiian value of hospitality and giving. Native Hawaiians have always believed in selflessly extending themselves to others, whether they had close ties with them or not. This is an ideal sentiment for artwork representing the renovated Ho'okipa Cottage, where women learn ways they can individually grow and contribute to the greater community. The more one cares for the world, the greater the world will sustain and provide.
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Bloomington-Normal YMCA

9/20/2022

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Jane DeDecker's
Jane DeDecker's "YMCA" is at its new home at Bloomington-Normal YMCA's new building.

We're so happy to see it being enjoyed by everyone who enters this amazing community facility. Special thanks to the Dobski family, who made this placement possible.

#WIPwednesday Jane DeDecker's
Update 6/16/22: Jane DeDecker's "YMCA" is finished in metal, awaiting patina, before it heads to its new home in Bloomington, Illinois. The YMCA there has a new building opening in August! @bnymca Bloomington-Normal YMCA

Always fun to see this cheerful sculpture come to life.

#PublicArt #Commission #JaneDeDecker #YMCA #Bronze #Sculpture #DeDeckerStudio #MaddCastings #BNYMC #bettertogether #BloomingtonNormalYMCA #BloomingtonIL ​#SculptureIsATeamSport #NSG #ArtistDriven #ClientMinded #NationalSculptorsGuild #workinprogresswednesday

Jane DeDecker's
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Daisy Bates to be Honored in Little Rock

5/20/2022

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update 5/20/22: The bust and plaques have been cast in bronze and shipped to Little Rock. We will update with photos once the city has installed the memorial. 
National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight.   The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.  ​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.  ​
National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight.   The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.  ​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.  ​Jane DeDecker's composition of Daisy Bates
10/15/21: National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight. 

The life-sized bronze bust will be accompanied by a wall of bronze plaques featuring quotations by the great Civil Rights Activist.


​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

​"
I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.

​Daisy Lee Gatson Bates
Mentor to the Little Rock Nine
Advocate for Equality

About Daisy Lee Gatson Bates...

National Sculptors' Guild Fellow Jane DeDecker has been selected by the State of Arkansas to sculpt Daisy Lee Gatson Bates for placement in the National Statuary Hall. We presented models early this month to the selection committee created by the Secretary of State administration along with 2 other finalists. The announcement was made earlier today.  The honor to portray such an important figure in the state capitol is a true highlight for our entire design team. Jane will begin the enlargement in the coming months and we will provide updates here as this project develops. Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.  It is important to express Mrs. Bates' power through her stance since she is structurally smaller than the counterparts she will be placed near within the Statuary Hall. Her face lifted to take on oppressors, her hand shooing away the past as her steps create the movement necessary for generations to follow are just a few ways this composition expresses her power. She has shattered the glass ceiling without scars showing from the enduring path it took.  No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.  Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.  Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.  She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts. ​ She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.  Her image in the National Statuary Hall will serve well to inspire next generations to take her lead to end racial injustice.

​Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.
​
She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.

National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight. 

The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.

​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

​"I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.
​Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.
​
She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.
National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight. 

The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.

​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

​"I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.
​Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.
​
She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.
National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight. 

The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.

​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

​"I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.
​Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.
​
She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.
National Sculptors' Guild Fellow Jane DeDecker has been selected to sculpt Daisy Lee Gatson Bates for placement in the City of Little Rock, Arkansas. The honor to portray such an important figure is a true highlight. 

The life-sized bronze bust will be accompanied by bronze plaques featuring quotations by the great Civil Rights Activist.

​The public display of her image and words will serve well to inspire next generations to take her lead to end racial injustice.

​"I have been truly inspired and deeply moved by the strength and dedication of Daisy Lee Gatson Bates. She turned tragedy into her life's work in fighting against prejudice, segregation, and inequality. Daisy Lee Gatson Bates was a formidable woman who would not stand down." - Jane DeDecker, NSG

The commemorative placement will be completed in 2022. Updates will be posted here.
​Daisy Bates was an elegant woman, physically small, though grand in stature when her determination to end racial injustice was involved. She confronted racism and adversity from an early age. Personal confrontations led to speaking out and heading large organizations; providing great change for the state of Arkansas, and beyond.

No one prepares to be the face of change for a nation, Daisy Bates took on her role with grace and fortitude. Unwaveringly, she rose to all of the challenges, her diminutive body seemingly too small for the power she exuded. Small but mighty, Mrs. Bates informed and organized Arkansas' Civil Rights movement.

Her resilience to the fear tactics used gave her a reputation of calm in the face of adversity. Jail time, fires on lawns and bricks thrown through windows seemed only to make the fight more just and purposeful.

Though Mrs. Bates is most known for her involvement in the Little Rock Desegregation Crisis of 1957, her contributions etch far deeper. The weekly newspaper that she and her husband published helped inform and activate civil rights movements across the state, and beyond, before and after the integration of Central High School. From 1941 to 1959 the Arkansas State Press was one of the only newspapers solely dedicated to the Civil Rights Movement.

She was known to publish controversial articles that others shied away from. Daisy Bates worked with local Civil Rights organizations including joining the National Association for the Advancement of Colored People in 1952. For many years, she served as the President of the Arkansas chapter of the NAACP, providing support to many opportunities for the black community, assuring her role in the 1957 desegregation efforts.
​
She was well respected in the community, even her opponents had to admit she was a force to reckon with. Her repose during crisis after crisis kept the forward motion of the Civil Rights Movement going; and her tenacious charge afforded generations of students access to their constitutional rights.
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Paramount Commemorative Ratification Flag

3/7/2022

0 Comments

 
The installation in Paramount, California was picture perfect. Jane DeDecker's
The installation in Paramount, California was picture perfect. Jane DeDecker's "Ratification Flag", a 12-foot commemorative bronze looks incredible in its new home adjacent to the city's Veteran's Memorial Plaza which we designed in 2007.

Special thanks to all involved in this project.... the City of Paramount, DeDecker Studio, Madd Castings, Capitol Crane, Martino and Luth and Tribble Stone.

Inspired by the Suffrage Movement flag of the early 1900's, we proposed the flag be placed singularly as a monolithic form sculpted in bronze. This sculpture honors the 100 year commemoration of the ratification of the 19th Amendment: Women's right to vote. It also represents the present day progress, and serves as a reminder of the continued efforts being made toward equality.
​
This commemorative placement honoring women's rights is particularly fitting for the City of Paramount as they celebrate its 2020 election of an all-female City Council, only the 5th time in the state of California.

#NationalSculptorsGuild #NSG #PublicArt #JaneDeDecker #RatificationFlag #ParamountCA #Bronze #Custom #Monument #FineArt #SculptureIsATeamSport #ArtistDriven #ClientMinded #CelebratingThirtyYears

The installation in Paramount, California was picture perfect. Jane DeDecker's "Ratification Flag", a 12-foot commemorative bronze looks incredible in its new home adjacent to the city's Veteran's Memorial Plaza which we designed in 2007.

Special thanks to all involved in this project.... the City of Paramount, DeDecker Studio, Madd Castings, Capitol Crane, Martino and Luth and Tribble Stone.

Inspired by the Suffrage Movement flag of the early 1900's, we proposed the flag be placed singularly as a monolithic form sculpted in bronze. This sculpture honors the 100 year commemoration of the ratification of the 19th Amendment: Women's right to vote. It also represents the present day progress, and serves as a reminder of the continued efforts being made toward equality.
​
This commemorative placement honoring women's rights is particularly fitting for the City of Paramount as they celebrate its 2020 election of an all-female City Council, only the 5th time in the state of California.

http://www.jk-designs-inc.com/project-feed/paramount-commemorative-ratification-flag

#NationalSculptorsGuild #NSG #PublicArt #JaneDeDecker #RatificationFlag #ParamountCA #Bronze #Custom #Monument #FineArt #SculptureIsATeamSport #ArtistDriven #ClientMinded #CelebratingThirtyYears
The installation in Paramount, California was picture perfect. Jane DeDecker's "Ratification Flag", a 12-foot commemorative bronze looks incredible in its new home adjacent to the city's Veteran's Memorial Plaza which we designed in 2007.

Special thanks to all involved in this project.... the City of Paramount, DeDecker Studio, Madd Castings, Capitol Crane, Martino and Luth and Tribble Stone.

Inspired by the Suffrage Movement flag of the early 1900's, we proposed the flag be placed singularly as a monolithic form sculpted in bronze. This sculpture honors the 100 year commemoration of the ratification of the 19th Amendment: Women's right to vote. It also represents the present day progress, and serves as a reminder of the continued efforts being made toward equality.
​
This commemorative placement honoring women's rights is particularly fitting for the City of Paramount as they celebrate its 2020 election of an all-female City Council, only the 5th time in the state of California.

http://www.jk-designs-inc.com/project-feed/paramount-commemorative-ratification-flag

#NationalSculptorsGuild #NSG #PublicArt #JaneDeDecker #RatificationFlag #ParamountCA #Bronze #Custom #Monument #FineArt #SculptureIsATeamSport #ArtistDriven #ClientMinded #CelebratingThirtyYears
The installation in Paramount, California was picture perfect. Jane DeDecker's "Ratification Flag", a 12-foot commemorative bronze looks incredible in its new home adjacent to the city's Veteran's Memorial Plaza which we designed in 2007.

Special thanks to all involved in this project.... the City of Paramount, DeDecker Studio, Madd Castings, Capitol Crane, Martino and Luth and Tribble Stone.

Inspired by the Suffrage Movement flag of the early 1900's, we proposed the flag be placed singularly as a monolithic form sculpted in bronze. This sculpture honors the 100 year commemoration of the ratification of the 19th Amendment: Women's right to vote. It also represents the present day progress, and serves as a reminder of the continued efforts being made toward equality.
​
This commemorative placement honoring women's rights is particularly fitting for the City of Paramount as they celebrate its 2020 election of an all-female City Council, only the 5th time in the state of California.

http://www.jk-designs-inc.com/project-feed/paramount-commemorative-ratification-flag

#NationalSculptorsGuild #NSG #PublicArt #JaneDeDecker #RatificationFlag #ParamountCA #Bronze #Custom #Monument #FineArt #SculptureIsATeamSport #ArtistDriven #ClientMinded #CelebratingThirtyYears

Things are really getting exciting now! The metal has been poured and chased and the patina is going on, Patina day fell on Susan B. Anthony's birthday!! We couldn't have picked a more appropriate date.   #VotesForWomen #RatificationFlag #PatinaDay
2/15/2022: Things are really getting exciting now! The metal has been poured and chased and the patina is going on, Patina day fell on Susan B. Anthony's birthday!! We couldn't have picked a more appropriate date. 

Below is Jane with the 12-ft bronze, prepping and applying the patina.

#VotesForWomen #RatificationFlag #PatinaDay

Things are really getting exciting now! The metal has been poured and chased and the patina is going on, Patina day fell on Susan B. Anthony's birthday!! We couldn't have picked a more appropriate date.   Below is Jane with the 12-ft bronze, prepping and applying the patina.  #VotesForWomen #RatificationFlag #PatinaDay
Things are really getting exciting now! The metal has been poured and chased and the patina is going on, Patina day fell on Susan B. Anthony's birthday!! We couldn't have picked a more appropriate date.   Below is Jane with the 12-ft bronze, prepping and applying the patina.  #VotesForWomen #RatificationFlag #PatinaDay

Update 11/10/2021: The wax panels have been poured for the 12ft flag. Chasing the wax begins to prepare for the next step of the lost wax process. Sprues are added to help guide the metal in an even and thorough flow. A ceramic shell is added in multiple coats surrounding the wax. This hard shell allows for the wax to be melted out (lost wax) leaving a cavity for the molten bronze to be poured into. The metal pour will be done at Madd Castings with more process to follow.
Update 11/10/2021: The wax has been poured for the 12ft flag. Chasing the wax begins to prepare for the next step of the lost wax process. Sprues are added to help guide the metal in an even and thorough flow. A ceramic shell is added in multiple coats surrounding the wax. This hard shell allows for the wax to be melted out (lost wax) leaving a cavity for the molten bronze to be poured into. The metal pour will be done at Madd Castings with more process to follow. Jane DeDecker and the National Sculptors' Guild have been selected to create a Commemorative Sculpture honoring the ratification of the 19th Amendment & Paramount's 2020 election of an all-female City Council for the City of Paramount, California.

Jane DeDecker's clay enlargement of the Ratification Flag is under a layer of mold material and foam. It may look strange, now, but this is going to be a magnificent bronze banner in a few months.  Jane elected a different material than the plaster she normally uses to back the mother mold because the foam will allow for larger panels that weigh less. Plus, carrying plaster buckets up the ladder 12-ft wasn't something anyone wanted to do. We're excited the casting process will be underway for this piece that is destined for Paramount, California soon.  Learn About this Work in Progress Wednesday... http://www.jk-designs-inc.com/project-feed/paramount-commemorative-ratification-flag  #PublicArt #WIP #JaneDeDecker #NSG #NationalSculptorsGuild #Paramount #California #Bronze #RatificationFlag #Commission #Sculpture #NSG #ArtistDriven #ClientMinded #SculptureIsATeamSport #WorkInProgressWednesday
Update 10/25/2021: Jane DeDecker's clay enlargement of the Ratification Flag is under a layer of mold material and foam. It may look strange, now, but this is going to be a magnificent bronze banner in a few months.

Jane elected a different material than the plaster she normally uses to back the mother mold because the foam will allow for larger panels that weigh less. Plus, carrying plaster buckets up the ladder 12-ft wasn't something anyone in the studio wanted to do. We're excited the casting process will be underway for this piece that is destined for Paramount, California soon.

Jane DeDecker's clay enlargement of the Ratification Flag is under a layer of mold material and foam. It may look strange, now, but this is going to be a magnificent bronze banner in a few months.  Jane elected a different material than the plaster she normally uses to back the mother mold because the foam will allow for larger panels that weigh less. Plus, carrying plaster buckets up the ladder 12-ft wasn't something anyone wanted to do. We're excited the casting process will be underway for this piece that is destined for Paramount, California soon.  Learn About this Work in Progress Wednesday... http://www.jk-designs-inc.com/project-feed/paramount-commemorative-ratification-flag  #PublicArt #WIP #JaneDeDecker #NSG #NationalSculptorsGuild #Paramount #California #Bronze #RatificationFlag #Commission #Sculpture #NSG #ArtistDriven #ClientMinded #SculptureIsATeamSport #WorkInProgressWednesday
Scaffolding in front of the sculpted flag gives a sense of the scale of this piece.
Jane DeDecker's clay enlargement of the Ratification Flag is under a layer of mold material and foam. It may look strange, now, but this is going to be a magnificent bronze banner in a few months.  Jane elected a different material than the plaster she normally uses to back the mother mold because the foam will allow for larger panels that weigh less. Plus, carrying plaster buckets up the ladder 12-ft wasn't something anyone wanted to do. We're excited the casting process will be underway for this piece that is destined for Paramount, California soon.  Learn About this Work in Progress Wednesday... http://www.jk-designs-inc.com/project-feed/paramount-commemorative-ratification-flag  #PublicArt #WIP #JaneDeDecker #NSG #NationalSculptorsGuild #Paramount #California #Bronze #RatificationFlag #Commission #Sculpture #NSG #ArtistDriven #ClientMinded #SculptureIsATeamSport #WorkInProgressWednesdayThe a smaller panel also got a blanket of foam.
#PublicArt #WIP #JaneDeDecker #NSG #NationalSculptorsGuild #Paramount #California #Bronze #RatificationFlag #Commission #Sculpture #NSG #ArtistDriven #ClientMinded #SculptureIsATeamSport #WorkInProgressWednesday


Jane DeDecker and the National Sculptors' Guild have been selected to create a Commemorative Sculpture honoring the ratification of the 19th Amendment & Paramount's 2020 election of an all-female City Council for the City of Paramount, California. The 12-ft high bronze sculpture will be placed in Progress Park later this year.
5/25/2021: Jane DeDecker and the National Sculptors' Guild have been selected to create a Commemorative Sculpture honoring the ratification of the 19th Amendment & Paramount's 2020 election of an all-female City Council for the City of Paramount, California.

​The 12-ft high bronze sculpture will be placed in Progress Park later this year.

​In 1919, the National Woman's Party led by Alice Paul began sewing stars on a giant purple, white, and gold flag. Each time a state ratified the Nineteenth Amendment, a new star would be sewn on the flag.   Inspired by the Suffrage Movement flag of the early 1900's, we propose the flag be placed singularly as a monolithic form sculpted in bronze. This sculpture honors the 100 year commemoration of the ratification of the 19th Amendment: Women's right to vote. It also represents the present day progress, and serves as a reminder of the continued efforts being made toward equality.   This commemorative placement honoring women's rights is particularly fitting for the City of Paramount as they celebrate its 2020 election of an all-female City Council. ​The Flag Complete. Alice Paul Unfurls the Ratification Flag with 36 Stars. National Photo Co., Washington, D. C.
​In 1919, the National Woman's Party led by Alice Paul began sewing stars on a giant purple, white, and gold flag. Each time a state ratified the Nineteenth Amendment, a new star would be sewn on the flag. 

Inspired by the Suffrage Movement flag of the early 1900's, we propose the flag be placed singularly as a monolithic form sculpted in bronze. This sculpture honors the 100 year commemoration of the ratification of the 19th Amendment: Women's right to vote. It also represents the present day progress, and serves as a reminder of the continued efforts being made toward equality. 
​


This commemorative placement honoring women's rights is particularly fitting for the City of Paramount as they celebrate its 2020 election of an all-female City Council. ​

Wording to be included on the back:    “In commemoration of the ratification of the 19th Amendment to the United States Constitution on August 18, 1920 that provided all women of our nation with the right to vote. Upon this Centennial, the City of Paramount celebrates its 2020 election of an all-female City Council, only the fifth such Council in the history of the State of California. The City’s record of inclusiveness dates back to its incorporation in 1957 when Gladys Iliff was elected to the first City Council and named Paramount’s first Vice Mayor.  Councilmember Isabel Aguayo Councilmember Laurie Guillen Councilmember Vilma Cuellar Stallings Vice Mayor Brenda Olmos Mayor Peggy Lemons  Wording to be included on the back
 “In commemoration of the ratification of the 19th Amendment to the United States Constitution on August 18, 1920 that provided all women of our nation with the right to vote. Upon this Centennial, the City of Paramount celebrates its 2020 election of an all-female City Council, only the fifth such Council in the history of the State of California. The City’s record of inclusiveness dates back to its incorporation in 1957 when Gladys Iliff was elected to the first City Council and named Paramount’s first Vice Mayor.

Councilmember Isabel Aguayo
Councilmember Laurie Guillen
Councilmember Vilma Cuellar Stallings
Vice Mayor Brenda Olmos
Mayor Peggy Lemons

"The best protection any woman can have... is courage."
—Elizabeth Cady Stanton, chief philosopher of the woman’s suffrage movement”

Jane has already begun sculpting the front of the flag as it is part of the composition for the National Women's Suffrage Monument.  ​Working off of a wax from the mold of the study for the Washington DC Memorial, the maquette gives an idea of how the flag will look.   We are suggesting that the 19th Amendment go on the detailed side of the ratification flag and narrative for Paramount go on the other side where there is more room. She has put wording on the model, but on the enlargement the text will be smaller and more contained as detailing will be easier to achieve on the larger piece.   The stars will be on only one side of the banner as historically this was how it was created. The narrative for the city will go on the flattest area of the side without stars. We may also want to have a plaque elsewhere on the plaza explaining the significance of the flag and its 36 stars.Jane in her studio with a replica flag sewn by her sisters.
Jane has already begun sculpting the front of the flag as it is part of the composition for the National Women's Suffrage Monument.

​Working off of a wax from the mold of the study for the Washington DC Memorial, the maquette gives an idea of how the flag will look. 

We are suggesting that the 19th Amendment go on the detailed side of the ratification flag and narrative for Paramount go on the other side where there is more room. She has put wording on the model, but on the enlargement the text will be smaller and more contained as detailing will be easier to achieve on the larger piece. 

The stars will be on only one side of the banner as historically this was how it was created. The narrative for the city will go on the flattest area of the side without stars. We may also want to have a plaque elsewhere on the plaza explaining the significance of the flag and its 36 stars.


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Freedom in Whittier, California

9/15/2021

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"Freedom" by Jane DeDecker and the National Sculptors' Guild is installed at York Field Sports Complex.
Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.
Please join us at York Field for the dedication of
Please join us at York Field for the dedication of "Freedom" by Jane DeDecker and the National Sculptors' Guild on September 16, 2021 at 1 p.m. 9110 Santa Fe Springs Road, Whittier, CA 90606.

The City of Whittier selected this bronze sculpture for its public art program in December of 2020. We're set to install mid-September.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.


Picture
Update 8/3/2021: 
"Freedom" is cast and awaiting the site to be prepped. We temporarily have it on display in the NSG garden during our 29th Annual Show.

We'll install in Whittier, California in a just a few weeks. Make sure if you're in Northern Colorado that you get a peek before it leaves.

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place
Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place
Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place "Freedom" at York Field Sports Complex. The multi-figure bronze sculpture will be placed in the large planter located between the ballpark and playground adjacent the parking lot.

​The sculpture will be installed in late-summer 2021.

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place
Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place
"Freedom" by Jane DeDecker and the National Sculptors' Guild is an existing 1.25 life-size composition modified to add softball and baseball gear to create a unique placement for the York Field Sports Complex. Depicting a dynamic collection of children and a dog at play. This design reflects on the setting and activities of the site; emphasizes positive interaction and speaks to multiple generations with universal appeal. One can either see themselves, a friend or family member in the artwork, and provides great opportunity for photo opportunities.

This sculpture speaks to a healthy lifestyle, community connection, and discovery of nature. The five children chase after a Retriever that has snatched one of the kid's mitts as they race to a game or practice. Several children wear baseball caps and uniforms, one carries a bat. The existing trees in the planter provide natural spacing of the care-free running children. There is a balance of ages and genders depicted in the children. These added baseball features will be added in wax prior to casting.

"Freedom" exhibits the best of America's pastime, camaraderie, sportsmanship and the pleasures of sun on your face and wind in your hair as you turn for home-plate. This placement shall echo the identity of this culturally rich and pulsating community and become an iconic image for York Field Sports Complex.

Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place
Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place
Clay enlargement in progress
Jane DeDecker and the National Sculptors' Guild were selected by the City of Whittier, California to place


#PublicArt #JaneDeDecker #NationalSculptorsGuild #NSG #Whittier #California #YorkFieldSportsComplex #Freedom #KidsAtPlay #Baseball #Softball #DogArt #Bronze #Sculpture

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Two new placements in Downey, CA

7/9/2021

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The sculptures are in! The National Sculptors' Guild installed
The sculptures are in! The National Sculptors' Guild installed "In the Wings" by Jane DeDecker and Alyson Kinkade, and "The Conductor" by Jane DeDecker at the Downey Theatre plaza yesterday. We so enjoy working with the City of Downey as they continue to grow their public art collection. Special thanks to Capitol Crane for lifting the custom stone bases from Tribble Stone over Embassy Suites' wall; it was quite a feat. The dancer's tutus add a splash of color, and the conductor's flair enlivens the space.
The sculptures are in! The National Sculptors' Guild installed
The sculptures are in! The National Sculptors' Guild installed
These smaller works accompany the Fountain feature "Tree of Life" by Clay Enoch that the Guild previously installed. Additional sculptures are planned for the near future, and seating will allow guests to the theatre to enjoy the surrounding beauty of the plaza.
The sculptures are in! The National Sculptors' Guild installed
​
Material shortages and covid shutdowns delayed this installation. We are thrilled to have it them in place as a display of the return to post-pandemic life. We can't wait to see the plaza filled with theater-goers.

NSG Public Art Placements #532 & 533

#NationalSculptorsGuild #NSG #PublicArt #SculptureIsATeamSport #ArtistDriven #ClientMinded
#JaneDeDecker #AlysonKinkade #InTheWings #Conductor #DowneyTheatre #CityOfDowney #DowneyCA

Two new pieces will be placed at the Theatre Plaza Sculpture Garden.
Two new pieces will be placed at the Theatre Plaza Sculpture Garden.
10/27/2020: Two new pieces will be placed at the Theatre Plaza Sculpture Garden. "In the Wings" by Jane DeDecker and Alyson Kinkade, and "The Conductor" by Jane DeDecker. These smaller artworks join Clay Enoch's "Tree of Life" fountain in the center of the Downey Theatre Plaza.

There are plans for additional placements in the near future that will depict the varied performing arts for the Theatre Plaza Sculpture Garden. From musicians and actors; to dancers and comics; these sculpted entertainers will activate the space. Below is a suggested plan, each work is subject to change.
Two new pieces will be placed at the Theatre Plaza Sculpture Garden.
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Finalists named in bid to sculpt Daisy Gatson Bates, Johnny Cash statues for Capitol

2/3/2021

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The National Sculptors' Guild design team is so thrilled and honored to be finalists for Arkansas’ search for sculptors for its upcoming contribution to the National Statuary Hall. We have Jane DeDecker as a finalist for the Daisy Gatson Bates portrait, and Craig Campbell is a finalist for the Johnny Cash portrait. Both artists will be hard at work on the next phase of the process as we will be proposing concepts in the coming months.
read the article by Rachel Herzog for more info: https://www.arkansasonline.com/.../finalists-named-in.../
We are so thrilled and honored to be finalists for Arkansas’ search for sculptors for its upcoming contribution to the National Statuary Hall. We have Jane DeDecker as a finalist for the Daisy Gatson Bates portrait, and Craig Campbell is a finalist for the Johnny Cash portrait. Both artists will be hard at work on the next phase of the process as we will be proposing concepts in the coming months. https://www.arkansasonline.com/.../finalists-named-in.../
NSG Fellow Jane DeDecker with some of her recent historic portraits as part of the Women's Suffrage Movement Monument slated for Washington, DC.
We are so thrilled and honored to be finalists for Arkansas’ search for sculptors for its upcoming contribution to the National Statuary Hall. We have Jane DeDecker as a finalist for the Daisy Gatson Bates portrait, and Craig Campbell is a finalist for the Johnny Cash portrait. Both artists will be hard at work on the next phase of the process as we will be proposing concepts in the coming months. https://www.arkansasonline.com/.../finalists-named-in.../
NSG Associate Craig Campbell working on monuments in his studio.
The National Sculptors' Guild design team is so thrilled and honored to be finalists for Arkansas’ search for sculptors for its upcoming contribution to the National Statuary Hall. We have Jane DeDecker as a finalist for the Daisy Gatson Bates portrait, and Craig Campbell is a finalist for the Johnny Cash portrait. Both artists will be hard at work on the next phase of the process as we will be proposing concepts in the coming months. read the article by Rachel Herzog for more infor: https://www.arkansasonline.com/.../finalists-named-in.../ #Finalist #JaneDeDecker #CraigCampbell #NSG #Arkansas #Portraits #NationalStatuaryHall #FingersCrossed
Daisy Lee Bates and Johnny Cash to be commemorated in the National Statuary Hall by one of three finalists each, including Jane DeDecker and Craig Campbell, Fingers crossed we get to honor these extraordinary individuals!
#Finalist #JaneDeDecker #CraigCampbell #NSG #Arkansas #Portraits #NationalStatuaryHall #FingersCrossed
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18 NSG Public Art Placements in 2020

1/8/2021

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The National Sculptors’ Guild installed 18 public art placements in 2020, truly a triumph for the challenges we all faced in the year.

We are excited to have several new projects set to install in 2021 that we will be sharing in the near future.
The National Sculptors’ Guild installed 18 public art placements in 2020, truly a triumph for the challenges we all faced in the year. We are excited to have several new projects set to install in 2021 that we will be sharing in the near future. Catch up on what we’ve placed and what is in the works at http://www.jk-designs-inc.com/project-feed Special thanks to all the people that helped make these placements happen, from fabrication to transport and installation, everyone pulled together in a time we had to stay apart. #SculptureIsATeamSport #PublicArt #California #Texas #Missouri #Oklahoma #Minnesota #Oregon #Colorado #InstaArt #InstaGood #InstaLove #NSG #NationalSculptorsGuild #ArtistDriven #ClientMinded
The National Sculptors’ Guild installed 18 public art placements in 2020, truly a triumph for the challenges we all faced in the year. We are excited to have several new projects set to install in 2021 that we will be sharing in the near future. Catch up on what we’ve placed and what is in the works at http://www.jk-designs-inc.com/project-feed Special thanks to all the people that helped make these placements happen, from fabrication to transport and installation, everyone pulled together in a time we had to stay apart. #SculptureIsATeamSport #PublicArt #California #Texas #Missouri #Oklahoma #Minnesota #Oregon #Colorado #InstaArt #InstaGood #InstaLove #NSG #NationalSculptorsGuild #ArtistDriven #ClientMinded
The National Sculptors’ Guild installed 18 public art placements in 2020, truly a triumph for the challenges we all faced in the year. We are excited to have several new projects set to install in 2021 that we will be sharing in the near future. Catch up on what we’ve placed and what is in the works at http://www.jk-designs-inc.com/project-feed Special thanks to all the people that helped make these placements happen, from fabrication to transport and installation, everyone pulled together in a time we had to stay apart. #SculptureIsATeamSport #PublicArt #California #Texas #Missouri #Oklahoma #Minnesota #Oregon #Colorado #InstaArt #InstaGood #InstaLove #NSG #NationalSculptorsGuild #ArtistDriven #ClientMinded
The National Sculptors’ Guild installed 18 public art placements in 2020, truly a triumph for the challenges we all faced in the year. We are excited to have several new projects set to install in 2021 that we will be sharing in the near future. Catch up on what we’ve placed and what is in the works at http://www.jk-designs-inc.com/project-feed Special thanks to all the people that helped make these placements happen, from fabrication to transport and installation, everyone pulled together in a time we had to stay apart. #SculptureIsATeamSport #PublicArt #California #Texas #Missouri #Oklahoma #Minnesota #Oregon #Colorado #InstaArt #InstaGood #InstaLove #NSG #NationalSculptorsGuild #ArtistDriven #ClientMinded
Our 2020 public art placements are... (click titles to learn more)

My Heart is in Your Hands, Jane DeDecker, Downey, CA

Homeward/Monarch, Joe Norman, Downey, CA
Mock Orange, Michael Warrick, Whittier, CA
Time, Carol Gold, Bend, OR
Between the Lines, Jane DeDecker, Loveland, CO
Leaps and Bounds, Daniel Glanz, Brighton, CO
Sweet Dreams & Grassland Trio, Daniel Glanz, Brighton, CO
Mockingbird Tree, Michael Warrick, Southlake, TX
On a Roll, Jack Hill, Downey, CA
From a Different Perspective, Jane DeDecker, Downey, CA
Infinite Dance, Carol Gold, Downey, CA
Tree of Life, Clay Enoch, Downey, CA
Burro Trio, Jane DeDecker, Southlake, TX
Bamboo, Tim Cotterill (The Frogman), Joplin, MO
Keeping the Ball Rolling, Jane DeDecker, Edmond, OK
On a Roll, Jack Hill, Edmond, OK
Rev. Pond, Denny Haskew, Shakopee, MN
Tried and True, Gary Alsum, Edmond, OK

We've now placed 530 public art monuments since 1992!

Special thanks to all the people that helped make these placements happen, from fabrication to transport and installation, everyone pulled together in a time we had to stay apart.

#SculptureIsATeamSport #PublicArt #California #Texas #Missouri #Oklahoma #Minnesota #Oregon #Colorado #InstaArt #InstaGood #InstaLove #NSG #NationalSculptorsGuild #ArtistDriven #ClientMinded
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Keeping the Ball Rolling, Edmond, OK

11/3/2020

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​We've sent the final casting of
​We've sent the final casting of "Keeping the Ball Rolling" by NSG Fellow Jane DeDecker to Edmond, Oklahoma. The joyful bronze sculpture depicting a child balancing on a ball will be placed in the city's new sculpture garden sometime in 2021.

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Burro Trio in Southlake Texas

10/13/2020

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Our beautiful Burro Trio has landed in their new home in Southlake, Texas. This is a fun placement by Jane DeDecker and the National Sculptors' Guild. Sometimes it's nice to have something light-hearted like this to work on. The Donkey's were commissioned by the city to pay tribute to the history of the site. Our installation for this has been on hold due to the pandemic, so we are so happy to see it actualized today.  We hope the visitors to Southlake Commons love being greeted by this charismatic family.  #PublicArt NSG Placement 525  The bronze is available as a limited edition as a set or individually, add them to your art collection, shop online here. 1/15/19: We are thrilled to have a new project with the City of Southlake. This time it's a fun homage to the burros that called the area being developed home:
Our beautiful Burro Trio has landed in their new home in Southlake, Texas. This is a fun placement by Jane DeDecker and the National Sculptors' Guild. Sometimes it's nice to have something light-hearted like this to work on. The Donkey's were commissioned by the city to pay tribute to the history of the site. Our installation for this has been on hold due to the pandemic, so we are so happy to see it actualized today.

We hope the visitors to Southlake Commons love being greeted by this charismatic family. 

#PublicArt NSG Placement 525

The bronze is available as a limited edition as a set or individually, add them to your art collection, shop online here.

Our beautiful Burro Trio has landed in their new home in Southlake, Texas. This is a fun placement by Jane DeDecker and the National Sculptors' Guild. Sometimes it's nice to have something light-hearted like this to work on. The Donkey's were commissioned by the city to pay tribute to the history of the site. Our installation for this has been on hold due to the pandemic, so we are so happy to see it actualized today.  We hope the visitors to Southlake Commons love being greeted by this charismatic family.  #PublicArt NSG Placement 525  The bronze is available as a limited edition as a set or individually, add them to your art collection, shop online here.
Our beautiful Burro Trio has landed in their new home in Southlake, Texas. This is a fun placement by Jane DeDecker and the National Sculptors' Guild. Sometimes it's nice to have something light-hearted like this to work on. The Donkey's were commissioned by the city to pay tribute to the history of the site. Our installation for this has been on hold due to the pandemic, so we are so happy to see it actualized today.  We hope the visitors to Southlake Commons love being greeted by this charismatic family.  #PublicArt NSG Placement 525  The bronze is available as a limited edition as a set or individually, add them to your art collection, shop online here.

Update 2/20/2019: Jane has been busy adding clay to the armatures and the Burro Trio enlargement is nearly complete. They are coming to life and showing so much personality.  #WIP
We are thrilled to have a new project with the City of Southlake. This time it's a fun homage to the burros that called the area being developed home: Jane DeDecker's concept sketch for the Burro Trio
1/15/19: We are thrilled to have a new project with the City of Southlake. This time it's a fun homage to the burros that called the area being developed home: "When plans for Southlake Commons were brought forward, the developer Sage Group, Inc. and the City Council agreed to place a bronze donkey sculpture near the Southlake Boulevard entrance to commemorate the property’s history."

The city came to NSG seeking an artist, and we of course recommended one of the nation's top figurative sculptors, Jane DeDecker. She's captured the quirky personality of the treasured donkey's so well, it's a perfect fit.

In the initial clay sketch: ​Depicted are two adults and a baby. One adult shows affection to the baby and the other looks off in a direction of a sound - showing both the nurturing and inquisitive curiosity of burros.

Update 2/20/2019: Jane has been busy adding clay to the armatures and the clay enlargement is nearly complete. They are coming to life and showing so much personality.  We are thrilled to have a new project with the City of Southlake. This time it's a fun homage to the burros that called the area being developed home:
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From a Different Perspective in Downey, CA

10/4/2020

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"From a Different Perspective" by Jane DeDecker has been installed on Downey Avenue. Special thanks to the City of Downey for installation help.

The city created a new space on this city corner filled with artsy benches where people can take a break from shopping and enjoy the sculpture and nearby mural. 


This sculpture is part of a series of six Public Art placements that the City has commissioned from the National Sculptors' Guild for installation in 2020.

We are loving teaming up with the city in their efforts to fill their spaces with artful expression. Two additional placements are now in the works for 2021. 
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Coming soon to Downey, California...  ​The National Sculptors' Guild is preparing to install Jane DeDecker sculpting "From a Different Perspective"
7/20/20: Coming soon to Downey, California...

​The National Sculptors' Guild is preparing to install "From a Different Perspective" by Jane DeDecker on Downey Avenue in California once it is safe to install.

This sculpture is part of a series of Public Art placements that the City has commissioned from the National Sculptors' Guild for installation in 2020.

The 8-foot tall bronze depicts a young person doing a handstand with pocket change slipping out. The sculpture will be placed in a new urban pocket park along Downey Avenue. 

The sculpture is available in a limited edition as a monument or the maquette. Click here to order one.

Check back for images of the monument in place.

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Jane and son, David apply the patina
Coming soon to Downey, California...

​The National Sculptors' Guild is preparing to install "From a Different Perspective" by Jane DeDecker on Downey Avenue in California once it is safe to install.

This sculpture is part of a series of Public Art placements that the City has commissioned from the National Sculptors' Guild for installation in 2020.

The 8-foot tall bronze depicts a young person doing a handstand.  

The sculpture is available in a limited edition as a monument or the maquette. Click here to order one.

Check back for images of the monument in place.
Coming soon to Downey, California...

​The National Sculptors' Guild is preparing to install "From a Different Perspective" by Jane DeDecker on Downey Avenue in California once it is safe to install.

This sculpture is part of a series of Public Art placements that the City has commissioned from the National Sculptors' Guild for installation in 2020.

The 8-foot tall bronze depicts a young person doing a handstand.  

The sculpture is available in a limited edition as a monument or the maquette. Click here to order one.

Check back for images of the monument in place.
Coming soon to Downey, California...

​The National Sculptors' Guild is preparing to install "From a Different Perspective" by Jane DeDecker on Downey Avenue in California once it is safe to install.

This sculpture is part of a series of Public Art placements that the City has commissioned from the National Sculptors' Guild for installation in 2020.

The 8-foot tall bronze depicts a young person doing a handstand.  

The sculpture is available in a limited edition as a monument or the maquette. Click here to order one.

Check back for images of the monument in place.
Coming soon to Downey, California...

​The National Sculptors' Guild is preparing to install "From a Different Perspective" by Jane DeDecker on Downey Avenue in California once it is safe to install.

This sculpture is part of a series of Public Art placements that the City has commissioned from the National Sculptors' Guild for installation in 2020.

The 8-foot tall bronze depicts a young person doing a handstand.  

The sculpture is available in a limited edition as a monument or the maquette. Click here to order one.

Check back for images of the monument in place.
Coming soon to Downey, California...

​The National Sculptors' Guild is preparing to install "From a Different Perspective" by Jane DeDecker on Downey Avenue in California once it is safe to install.

This sculpture is part of a series of Public Art placements that the City has commissioned from the National Sculptors' Guild for installation in 2020.

The 8-foot tall bronze depicts a young person doing a handstand.  

The sculpture is available in a limited edition as a monument or the maquette. Click here to order one.

Check back for images of the monument in place.
Coming soon to Downey, California...

​The National Sculptors' Guild is preparing to install "From a Different Perspective" by Jane DeDecker on Downey Avenue in California once it is safe to install.

This sculpture is part of a series of Public Art placements that the City has commissioned from the National Sculptors' Guild for installation in 2020.

The 8-foot tall bronze depicts a young person doing a handstand.  

The sculpture is available in a limited edition as a monument or the maquette. Click here to order one.

Check back for images of the monument in place.
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Between the Lines at Hiatt Farms Montessori

8/7/2020

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A local placement of Jane DeDecker's
A local placement of Jane DeDecker's "Between the Lines" at the Hiatt Farms Montessori in Loveland today. 

We love how the naturalistic  bronze fits right into the site. Two kids sit on the limb of a tree, joyfully reading together. A squirrel listens in on the reading from above. 

The composition reinforces the school's vision... "to build independence, self-confidence and passion. We emphasize respect for others, oneself and the environment as well as patience, strong moral character and grit."

We hope it inspires learning in  everyone who visits. 

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Western Art And Architecture : DeDecker

5/9/2020

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Check out our ad in the latest Western Art and Architecture we are featuring Jane DeDecker sculpting “From a Different Perspective” which the National Sculptors’ Guild will be placing in downtown Downey, California as soon as it is cast in bronze and we can safely install.  Commissioned by @cityofdowneyca the 8ft tall figure doing a handstand will be a fun addition to the city’s growing public art collection that we are thrilled to be an integral part in starting.  Want one for your public art space or home garden or office lobby? The introductory price is available thru June... Shop Now  #JaneDeDecker #FromADifferentPerspective #NationalSculptorsGuild #PublicArt #DowneyCA #Bronze #Sculpture #NSG #Contemporary #Figurative #ArtistDriven #ClientMinded #FeedYourCreativeSpirit
Check out our ad in the latest Western Art and Architecture we are featuring Jane DeDecker sculpting “From a Different Perspective” which the National Sculptors’ Guild will be placing in downtown Downey, California as soon as it is cast in bronze and we can safely install.

Commissioned by @cityofdowneyca the 8ft tall figure doing a handstand will be a fun addition to the city’s growing public art collection that we are thrilled to be an integral part in starting.

Want one for your public art space or home garden or office lobby? The introductory price is available thru June... Shop Now

#JaneDeDecker #FromADifferentPerspective #NationalSculptorsGuild #PublicArt #DowneyCA #Bronze #Sculpture #NSG #Contemporary #Figurative #ArtistDriven #ClientMinded #FeedYourCreativeSpirit

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International Sculpture Day 2020

4/25/2020

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In celebration of  International Sculpture Day here are a few of our most recent Public Art monuments. Go find our over 515 monumental sculpture placements and enjoy public art!

#InternationalSculptureDay #PublicArt #Sculptures #ISday #NSG #NationalSculptorsGuild #Warrick #Norman #DeDecker #Enoch
In celebration of  International Sculpture Day here are a few of our most recent Public Art monuments. Go find our over 515 monumental sculpture placements and enjoy public art!   #InternationalSculptureDay #PublicArt #Sculptures #ISday #NSG #NationalSculptorsGuild #Warrick #Norman #DeDecker #Enoch
Mockingbird/Orange Tree by Michael Warrick and the National Sculptors' Guild in Whittier, CA
In celebration of  International Sculpture Day here are a few of our most recent Public Art monuments. Go find our over 515 monumental sculpture placements and enjoy public art!   #InternationalSculptureDay #PublicArt #Sculptures #ISday #NSG #NationalSculptorsGuild #Warrick #Norman #DeDecker #Enoch
Community by Clay Enoch and the National Sculptors' Guild in Little Rock, AR
In celebration of  International Sculpture Day here are a few of our most recent Public Art monuments. Go find our over 515 monumental sculpture placements and enjoy public art!   #InternationalSculptureDay #PublicArt #Sculptures #ISday #NSG #NationalSculptorsGuild #Warrick #Norman #DeDecker #Enoch
Homeward/Monarch by Joe Norman and the National Sculptors' Guild in Downey, CA
In celebration of  International Sculpture Day here are a few of our most recent Public Art monuments. Go find our over 515 monumental sculpture placements and enjoy public art!   #InternationalSculptureDay #PublicArt #Sculptures #ISday #NSG #NationalSculptorsGuild #Warrick #Norman #DeDecker #Enoch
My Heart is in Your Hands by Jane DeDecker and the National Sculptors' Guild in Downey, CA
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My Heart is in Your Hands in Downey, CA

2/23/2020

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Our installations today in downtown Downey, CA! Joe Norman’s  #HomewardMonarch  and Jane DeDecker’s  #MyHeartIsInYourHands These are the first of a series of #PublicArt placements that the City has commissioned  from the National Sculptors' Guild to enhance ​#DowneyAvenue More coming soon!
Jane DeDecker's My Heart is in Your Hands
Our installations today in downtown Downey, CA!
Joe Norman’s 
#HomewardMonarch 
and Jane DeDecker’s 
#MyHeartIsInYourHands
These are the first of a series of #PublicArt placements that the City has commissioned 
from the National Sculptors' Guild to enhance
​#DowneyAvenue
More coming soon!
NSG placement 513
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Click here to see Joe's install

February 20, 2020 From #SnowyColorado to #SunnyCalifornia the #NationalSculptorsGuild has loaded up the first two sculptures for the @cityofdowneyca’s #PublicArt program.
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Arkansas 19th Amendment Memorial

10/10/2019

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10/9/2019 #ThisJustIn ​ The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!  Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.   Installation images shown belowThe Arkansas 19th Amendment Memorial by Jane DeDecker, National Sculptors' Guild will be dedicated October 10th at 11am in the new Women’s Suffrage Centennial Plaza at the Vogel Schwartz Sculpture Garden
The Arkansas 19th Amendment Memorial by Jane DeDecker and the National Sculptors' Guild will be dedicated October 10th at 11am in the new Women’s Suffrage Centennial Plaza at the Vogel Schwartz Sculpture Garden
10/9/2019 #ThisJustIn #PublicArt
​

The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.

NSG Public Art Placement #510




​
Installation images shown below
10/9/2019 #ThisJustIn #PublicArt
​
The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.


Installation images shown below
10/9/2019 #ThisJustIn #PublicArt
​
The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.


Installation images shown below
10/9/2019 #ThisJustIn #PublicArt
​
The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.


Installation images shown below
10/9/2019 #ThisJustIn #PublicArt
​
The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.


Installation images shown below
10/9/2019 #ThisJustIn #PublicArt
​
The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.


Installation images shown below
10/9/2019 #ThisJustIn #PublicArt
​
The National Sculptors' Guild has just finished installing NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base in Little Rock, Arkansas. Could it be more gorgeous?!!

Special thanks to the Sculpture at the River Market and City of Little Rock for creating such a beautiful plaza for the sculpture.


Installation images shown below
The National Sculptors' Guild has loaded up NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base and are headed to Little Rock Arkansas... Fable is supervising the load.  Stay tuned for pics of the installation.  The sculpture celebrates the 100th Anniversary of the Nineteenth Amendment, Granting Women the Right To Vote ​ Jane customized the composition for the Arkansas placement, by including additional historic figures; two of the suffragettes who helped lead the movement in Arkansas. Josephine Miller Brown and Julia Burnell Babcock aka Bernie Babcock  In 1919, Arkansas became the 12th state to approve the 19th Amendment. ​ The Arkansas 19th Amendment Memorial will be dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at Little Rock's  Riverfront Park ​ This 5-ft version (minus the two extra figures) is the #Maquette for DeDecker's Every Word We Utter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature. #BePartOfTheCircle learn more...  So many more women were involved in this movement than depicted here. We honor them all with gratitude for the steps they made for ours and future generations. #SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  #ThanksFable #ArtDog #RhodesianRidgeback
Jane DeDecker with Son, David, complete the patina
The National Sculptors' Guild has loaded up NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base and are headed to Little Rock Arkansas... Fable is supervising the load.  Stay tuned for pics of the installation.  The sculpture celebrates the 100th Anniversary of the Nineteenth Amendment, Granting Women the Right To Vote ​ Jane customized the composition for the Arkansas placement, by including additional historic figures; two of the suffragettes who helped lead the movement in Arkansas. Josephine Miller Brown and Julia Burnell Babcock aka Bernie Babcock  In 1919, Arkansas became the 12th state to approve the 19th Amendment. ​ The Arkansas 19th Amendment Memorial will be dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at Little Rock's  Riverfront Park ​ This 5-ft version (minus the two extra figures) is the #Maquette for DeDecker's Every Word We Utter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature. #BePartOfTheCircle learn more...  So many more women were involved in this movement than depicted here. We honor them all with gratitude for the steps they made for ours and future generations. #SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  #ThanksFable #ArtDog #RhodesianRidgeback
Arkansas 19th Amendment Memorial
The #NationalSculptorsGuild has loaded up NSG Fellow #JaneDeDecker’s “Every Word We Utter” #bronze #sculpture with a custom designed #Granite and #StainlessSteel base and are headed to #LittleRock #Arkansas #Fable is supervising the load.  The sculpture celebrates the 100th Anniversary of the #NineteenthAmendment, Granting Women the #RightToVote  Jane customized the composition for this placement, by including additional historic figures; two of the #suffragettes who helped lead the #movement in Arkansas. #JosephineMillerBrown #JuliaBurnellBabcock aka #BernieBabcock  In 1919, Arkansas became the 12th state to approve the 19th Amendment.  #EveryWordWeUtter will be #dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at #RiverfrontPark  This 5-ft version (minus the two extra figures) is the #Maquette for the @everywordweutter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature.  #BePartOfTheCircle learn more... http://www.jk-designs-inc.com/project-f…/every-word-we-utter  #SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  So many more women were involved than depicted here. We honor them all with gratitude for the steps they made for ours and future generations.  #ThanksFable #ArtDog #RhodesianRidgebackBric's dog Fable checks out the strapping job
10/5/2019: The National Sculptors' Guild has loaded up NSG Fellow Jane DeDecker’s “Arkansas Nineteenth Amendment Memorial” bronze sculpture with its custom designed granite and stainless-steel base and are headed to Little Rock Arkansas... Fable is supervising the load.

Stay tuned for pics of the installation.

The sculpture celebrates the 100th Anniversary of the Nineteenth Amendment, Granting Women the Right To Vote
​

Jane customized the composition for the Arkansas placement, by including additional historic figures; two of the suffragettes who helped lead the movement in Arkansas. Josephine Miller Brown and Julia Burnell Babcock aka Bernie Babcock

In 1919, Arkansas became the 12th state to approve the 19th Amendment.
​
The Arkansas 19th Amendment Memorial will be dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at Little Rock's  Riverfront Park
​

This 5-ft version (minus the two extra figures) is the #Maquette for DeDecker's Every Word We Utter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature. #BePartOfTheCircle learn more...
​
So many more phenomenal women were involved in this movement than depicted here. We honor them all with gratitude for the steps they made for ours and future generations.
#SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  #ThanksFable #ArtDog #RhodesianRidgeback

The #NationalSculptorsGuild has loaded up NSG Fellow #JaneDeDecker’s “Every Word We Utter” #bronze #sculpture with a custom designed #Granite and #StainlessSteel base and are headed to #LittleRock #Arkansas #Fable is supervising the load.  The sculpture celebrates the 100th Anniversary of the #NineteenthAmendment, Granting Women the #RightToVote  Jane customized the composition for this placement, by including additional historic figures; two of the #suffragettes who helped lead the #movement in Arkansas. #JosephineMillerBrown #JuliaBurnellBabcock aka #BernieBabcock  In 1919, Arkansas became the 12th state to approve the 19th Amendment.  #EveryWordWeUtter will be #dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at #RiverfrontPark  This 5-ft version (minus the two extra figures) is the #Maquette for the @everywordweutter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature.  #BePartOfTheCircle learn more... http://www.jk-designs-inc.com/project-f…/every-word-we-utter  #SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  So many more women were involved than depicted here. We honor them all with gratitude for the steps they made for ours and future generations.  #ThanksFable #ArtDog #RhodesianRidgeback
The #NationalSculptorsGuild has loaded up NSG Fellow #JaneDeDecker’s “Every Word We Utter” #bronze #sculpture with a custom designed #Granite and #StainlessSteel base and are headed to #LittleRock #Arkansas #Fable is supervising the load.  The sculpture celebrates the 100th Anniversary of the #NineteenthAmendment, Granting Women the #RightToVote  Jane customized the composition for this placement, by including additional historic figures; two of the #suffragettes who helped lead the #movement in Arkansas. #JosephineMillerBrown #JuliaBurnellBabcock aka #BernieBabcock  In 1919, Arkansas became the 12th state to approve the 19th Amendment.  #EveryWordWeUtter will be #dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at #RiverfrontPark  This 5-ft version (minus the two extra figures) is the #Maquette for the @everywordweutter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature.  #BePartOfTheCircle learn more... http://www.jk-designs-inc.com/project-f…/every-word-we-utter  #SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  So many more women were involved than depicted here. We honor them all with gratitude for the steps they made for ours and future generations.  #ThanksFable #ArtDog #RhodesianRidgeback
The #NationalSculptorsGuild has loaded up NSG Fellow #JaneDeDecker’s “Every Word We Utter” #bronze #sculpture with a custom designed #Granite and #StainlessSteel base and are headed to #LittleRock #Arkansas #Fable is supervising the load.  The sculpture celebrates the 100th Anniversary of the #NineteenthAmendment, Granting Women the #RightToVote  Jane customized the composition for this placement, by including additional historic figures; two of the #suffragettes who helped lead the #movement in Arkansas. #JosephineMillerBrown #JuliaBurnellBabcock aka #BernieBabcock  In 1919, Arkansas became the 12th state to approve the 19th Amendment.  #EveryWordWeUtter will be #dedicated October 10th at 11am in the Women’s Suffrage Centennial Plaza at #RiverfrontPark  This 5-ft version (minus the two extra figures) is the #Maquette for the @everywordweutter 20-ft #Monument proposed for placement in DC with bills currently being passed through the various points of #legislature.  #BePartOfTheCircle learn more... http://www.jk-designs-inc.com/project-f…/every-word-we-utter  #SusanBAnthony #ElizabethCadyStanton #SojournerTruth #HarrietStantonBlatch #AlicePaul #IdaBWells #NotableWomen #WomensRights #Vote #Historic #BraveWomen #FigurativeArt #SuffrageMovement #TheirMovementOurMonument  So many more women were involved than depicted here. We honor them all with gratitude for the steps they made for ours and future generations.  #ThanksFable #ArtDog #RhodesianRidgeback
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Every Word We Utter

3/15/2019

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Their Movement, Our Monument

Be Part of the Circle
Printable Version
Contributions to the monument may be made here. A 501(c)(3) status is pending. Proceeds from the sales of the maquettes make the monument possible. Please contact the National Sculptors' Guild to be part of the circle.

Every Word We Utter bronze study
"Every Word We Utter" is a Monument to the Women's Suffrage Movement.  The monument commemorates the largest nonviolent revolution in our nation’s history — the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. 

DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc).  Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. 

“Every word we utter, every act we perform … are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott.

"When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women...,  little girls." - Jane DeDecker 

Jane with the clay busts of the commemorated women for the monument.
Jane with the clay busts of the women being commemorated in the monument

​Help build the Monument and Commemorate the Women's Movement and the Right to Vote..., 100 years on August 18, 2020. Be part of the circle, contribute to NSG Fellow Jane DeDecker's Every Word We Utter

DeDecker Studio is currently working on placing the 20-ft tall monument in Washington, DC. Once fully funded, this important bronze sculpture will be placed in a location of national prominence to inspire future generations. Track the progress of HR 473 (sponsor Congressman Joe Neguse) in the US Congress:  

The 5-ft tall bronze and granite maquette will be placed as a limited edition in other appropriate spaces across the nation. Proceeds from these national sales of the maquette will help make the monument possible. Please contact the National Sculptors' Guild if your public art program has a site for this important piece.
Proceeds from the maquette sales make the monument possible. Please contact the National Sculptors' Guild to be part of the circle.

​Help build the Monument and Commemorate the Women's Movement and the Right to Vote..., 100 years on August 18, 2020. Be part of the circle, contribute to NSG Fellow Jane DeDecker's Every Word We Utter DeDecker Studio is currently working on placing the 20-ft tall monument in Washington, DC. Once fully funded, this important bronze sculpture will be placed in a location of national prominence to inspire future generations. Track the progress of HR 473 (sponsor Congressman Joe Neguse) in the US Congress: The 5-ft tall bronze and granite maquette will be placed as a limited edition in other appropriate spaces across the nation. Proceeds from these national sales of the maquette will help make the monument possible. Please contact the National Sculptors' Guild if your public art program has a site for this important piece.
Every Word We Utter 5ft version in clay
​Help build the Monument and Commemorate the Women's Movement and the Right to Vote..., 100 years on August 18, 2020. Be part of the circle, contribute to NSG Fellow Jane DeDecker's Every Word We Utter DeDecker Studio is currently working on placing the 20-ft tall monument in Washington, DC. Once fully funded, this important bronze sculpture will be placed in a location of national prominence to inspire future generations. Track the progress of HR 473 (sponsor Congressman Joe Neguse) in the US Congress: The 5-ft tall bronze and granite maquette will be placed as a limited edition in other appropriate spaces across the nation. Proceeds from these national sales of the maquette will help make the monument possible. Please contact the National Sculptors' Guild if your public art program has a site for this important piece.
Sojourner Truth's portrait taking shape
​Help build the Monument and Commemorate the Women's Movement and the Right to Vote..., 100 years on August 18, 2020. Be part of the circle, contribute to NSG Fellow Jane DeDecker's Every Word We Utter DeDecker Studio is currently working on placing the 20-ft tall monument in Washington, DC. Once fully funded, this important bronze sculpture will be placed in a location of national prominence to inspire future generations. Track the progress of HR 473 (sponsor Congressman Joe Neguse) in the US Congress: The 5-ft tall bronze and granite maquette will be placed as a limited edition in other appropriate spaces across the nation. Proceeds from these national sales of the maquette will help make the monument possible. Please contact the National Sculptors' Guild if your public art program has a site for this important piece.
Every Word We Utter study in bronze
​Help build the Monument and Commemorate the Women's Movement and the Right to Vote..., 100 years on August 18, 2020. Be part of the circle, contribute to NSG Fellow Jane DeDecker's Every Word We Utter DeDecker Studio is currently working on placing the 20-ft tall monument in Washington, DC. Once fully funded, this important bronze sculpture will be placed in a location of national prominence to inspire future generations. Track the progress of HR 473 (sponsor Congressman Joe Neguse) in the US Congress: The 5-ft tall bronze and granite maquette will be placed as a limited edition in other appropriate spaces across the nation. Proceeds from these national sales of the maquette will help make the monument possible. Please contact the National Sculptors' Guild if your public art program has a site for this important piece.
Every Word We Utter study in bronze
​Help build the Monument and Commemorate the Women's Movement and the Right to Vote..., 100 years on August 18, 2020. Be part of the circle, contribute to NSG Fellow Jane DeDecker's Every Word We Utter DeDecker Studio is currently working on placing the 20-ft tall monument in Washington, DC. Once fully funded, this important bronze sculpture will be placed in a location of national prominence to inspire future generations. Track the progress of HR 473 (sponsor Congressman Joe Neguse) in the US Congress: The 5-ft tall bronze and granite maquette will be placed as a limited edition in other appropriate spaces across the nation. Proceeds from these national sales of the maquette will help make the monument possible. Please contact the National Sculptors' Guild if your public art program has a site for this important piece.
Every Word We Utter 5ft version in clay
DESCRIPTION AND SYMBOLISM OF THE MONUMENT:
Anthony and Stanton writing the Nineteenth Amendment is the nucleus,  the beginning of the women’s movement. To the side of the authors stands the elder Sojourner Truth, a beacon for the movement. The young Harriet Stanton Blatch represents the future. From them rises the next generation of the movement, the “daughters” who ratified the nineteenth amendment, represented by Ida B. Wells and Alice Paul. Standing on the shoulders of giants, these women were elevated by what came before. From this height, the ratification flag cascades to the innumerable circles that ripple outwards.

Sojourner Truth, an African-American abolitionist and women’s right activist, was among the first voices of the women’s movement.  She propelled the movement in its early days because she was willing to speak at time when few women did so.  I have depicted her standing on a pulpit to illustrate how she willingly projected her voice against injustices. Her gaze is to the future – to the horizon – looking to a place where women – together – will turn the world “right side up again.”  In my composition, I have sculpted her in her early 50’s, around the time she would have delivered her seminal speech, “Ain’t I a Woman?” Within the composition, she is a guardian of the belief that women should have the right to vote.

I used the same iconic photograph of the coauthors of the Declaration of Sentiments as inspiration for Elizabeth Cady Stanton and Susan B. Anthony, but I depicted them at their age at the time of the writing of the Sentiments. The two women are physically connected in the sculpture, forming a unified force that truly speaks of the oneness of their purpose. Their words, speeches and wisdom launched a worldwide, peaceful revolution. Even today, these two women offer us the courage and the tools to be the stewards of human rights.

At a joint appearance for Hilary Clinton’s campaign, Michelle Obama echoed Stanton’s words: “With every action we take, with every word we utter, we think about the millions of children who are watching us, who hang onto our every word, looking at us to show them who they can and should be.” Just so, Harriet Stanton Blatch hangs on the words of her mother. She has a look of intensity. She feels it. Blatch is nestled between her mother’s hand that holds a pen and foot that breaks the conformities of the base. She holds onto a bonnet, a symbol of the suffragist she will become. Blatch literally grew up during the suffragist movement, and when it was her time, she absorbed the sentiments of her mother’s words: “We’ve got to bring to the President, individually, day by day, week in and week out, the idea that great numbers of women want to be free, will be free.”

Alice Paul and Ida B. Wells are at the peak of the coalescence, one in their mission. Although these two women would not have marched side by side, their juxtaposition at the height of the sculpture, symbolizes their shared vision of equal rights. Neither one of these women would take no for an answer. In the photos of the suffragist women marching, they are wearing elaborate hats, an announcement of their presence in the movement. I have depicted Alice Paul and Ida B. Wells wearing such hats. Both women also hold a flag.

The portrait of Alice Paul is inspired by the photo of her draping the ratification flag with its 36th star over the balcony of the suffrage headquarters in Washington D.C. I chose to depict Paul and this celebratory moment to capture the monumental triumph of the nineteenth amendment, an accumulation of the efforts of thousands of American women. She appears youthful and weightless in this monument, and yet she was militant in her efforts. She dedicated her life to the movement and after the vote continued until her death the work for the equal rights amendment.

Ida B. Wells began her career as an activist at a young age. She fervently rallied against the practice of lynching even with the threat of being lynched herself.  Wells was known for using the pen and her voice to battle sexism, racism, and violence. In this sculpture Wells stands proudly with a flag of the United States, representing the hope for justice and the rights of every human being. The open gesture of her hand outstretched to the other women around her in this monument reinforces the invitation to join the cause.
Contributions to the monument may be made here. A 501(c)(3) status is pending. Proceeds from the sales of the maquettes make the monument possible. Please contact the National Sculptors' Guild to place the 5ft maquette in your public art program. #BePartOfTheCircle
Contributions to the monument may be made here. A 501(c)(3) status is pending. Proceeds from the sales of the maquettes make the monument possible. Please contact the National Sculptors' Guild to place the 5ft maquette in your public art program. #BePartOfTheCircle

​Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement.
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement.
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement.
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
Jane has begun work on the monument, below are studio images of the armature and early stages of adding clay, the 5ft maquette is used for reference as she sculpts the enlargement. "Every Word We Utter" is a Monument to the Women's Suffrage Movement. The monument commemorates the largest nonviolent revolution in our nation’s history -- the movement for women’s right to vote. Dedicated to Susan B. Anthony and Elizabeth Cady Stanton, the monument will mark the 100th Anniversary of the ratification of the 19th amendment, the women's right to vote. DeDecker elected to depict multiple figures in the monument as a reminder that it took a whole group of women to accomplish this right. Susan B. Anthony and Elizabeth Cady Stanton are shown collaborating on the 19th amendment. Ida B Wells and Alice Paul are shown paying homage to the women before them; standing on the shoulders of giants(Sojourner Truth, Harriet Stanton Blatch, Anthony and Stanton, etc). Signatures of the group of women it took surround the monument. The immensity and scale needed to equal the magnitude of the movement. Bold and Beautiful just like those women who fought for our rights. “Every word we utter, every act we perform ... are wafted into enumerable other circles …” Elizabeth Cady Stanton reflecting on the life of Lucretia Mott. "When we see them (historic female figures), we're reminded. It's important that we see these women, every day. Seeing them every day will help us to remember their goals and remember their aspirations. Sending a message to every woman that they do have a voice and they can use their voice. I hope the monument inspires young women..., little girls." - Jane DeDecker Every Word We Utter copyright Jane DeDecker all rights reserved
This post is an update to a previous one; see the original from 2018 here
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Revisiting Harriet Tubman

10/10/2018

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Here is a video we just ran across by a student digesting and discussing NSG Fellow Jane DeDecker’s Harriet Tubman sculpture that we placed in Little Rock in 2004, part of a series of sculptures that lead to the Clinton Presidential Center see more about our installation ​ Our sculpture placements continue to move and educate people. #PublicArt #FeedYourCreativeSpirit
Here is a video we just ran across by a student digesting and discussing NSG Fellow Jane DeDecker’s Harriet Tubman sculpture that we placed inLittle Rock in 2004, part of a series of sculptures that lead to the Clinton Presidential Center see more about our installation 
​

Our sculpture placements continue to move and educate people. #PublicArt #FeedYourCreativeSpirit

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Vogel Schwartz Garden Grows

6/20/2017

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The Vogel Schwartz Sculpture Garden is expanding to showcase additional artwork acquired through proceeds from the Sculpture at the River Market Exhibit. Quickly outgrown, the additional space will allow for more than a dozen sculpture placements. To start, NSG has placed Jane DeDecker's Shortcuts, Lil' Sis; Leo Osborne's Of Grace, a Dan Ostermiller bear - Le Grand Pere; and Big Bill by Tim Cotterill (the Frogman)
Click here to see more of the garden and artwork
​

The sculpture garden features natural terraces and walkways designed by City of Little Rock's Leland Couch, Mark Webre & National Sculptors' Guild's John Kinkade. The design creates a more intimate space to view smaller works within the Riverfront Park and is ideal for hosting receptions, as well as, allowing visitors to enjoy the sculptures in solitude. The sculpture garden is located northeast of The Marriott in Riverfront Park and is just one stop of many public art placements along the Arkansas river to enjoy artist's sculptures from across the nation. ‪#‎SculptureGarden‬ ‪#‎ArkansasArt‬ ‪#‎RiverfrontPark
Jane DeDecker's Shortcut in the expanded Vogel Schwartz Sculpture Garden The Vogel Schwartz Sculpture Garden is expanding to showcase additional artwork acquired through proceeds from the Sculpture at the River Market Exhibit. Quickly outgrown, the additional space will allow for more than a dozen sculpture placements. To start, NSG has placed Jane DeDecker's Shortcuts, Lil' Sis; Leo Osborne's Of Grace, a Dan Ostermiller bear - Le Grand Pere; and Big Bill by Tim Cotterill (the Frogman) Click here to see more of the garden and artwork ​ The sculpture garden features natural terraces and walkways designed by City of Little Rock's Leland Couch, Mark Webre & National Sculptors' Guild's John Kinkade. The design creates a more intimate space to view smaller works within the Riverfront Park and is ideal for hosting receptions, as well as, allowing visitors to enjoy the sculptures in solitude. The sculpture garden is located northeast of The Marriott in Riverfront Park and is just one stop of many public art placements along the Arkansas river to enjoy artist's sculptures from across the nation. ‪#‎SculptureGarden‬ ‪#‎ArkansasArt‬ ‪#‎RiverfrontPark
Jane DeDecker's Shortcut
The Vogel Schwartz Sculpture Garden is expanding to showcase additional artwork acquired through proceeds from the Sculpture at the River Market Exhibit. Quickly outgrown, the additional space will allow for more than a dozen sculpture placements. To start, NSG has placed Jane DeDecker's Shortcuts, Lil' Sis; Leo Osborne's Of Grace, a Dan Ostermiller bear - Le Grand Pere; and Big Bill by Tom Cotterill (the Frog man) Click here to see more of the garden and artwork ​ The sculpture garden features natural terraces and walkways designed by City of Little Rock's Leland Couch, Mark Webre & National Sculptors' Guild's John Kinkade. The design creates a more intimate space to view smaller works within the Riverfront Park and is ideal for hosting receptions, as well as, allowing visitors to enjoy the sculptures in solitude. The sculpture garden is located northeast of The Marriott in Riverfront Park and is just one stop of many public art placements along the Arkansas river to enjoy artist's sculptures from across the nation. ‪#‎SculptureGarden‬ ‪#‎ArkansasArt‬ ‪#‎RiverfrontPark
Tim Cotterill's Big Bill
National Sculptors' Guild and Jane DeDecker's Lil Sis in the expanded Vogel Schwartz Sculpture Garden
Jane DeDecker's Lil' Sis
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#ColorInTheWings

4/18/2017

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The next
The next "In the Wings" by Jane DeDecker and Alyson Kinkade is being unveiled this year at Sculpture at the River Market in Little Rock this weekend. Since the bronze isn't out of the foundry yet, the plaster casting gave us a true blank canvas to consider... then we wondered how other's see it.... We'd love to see what colors you'd choose for the sculpture. So download/print the file and color in your dancers. (or if you're in Little Rock, stop by Jane's booth for a printout) We hope you'll take a pic and tag us (see below) your colorful tutu and use #ColorInTheWings ...one of your color schemes will be selected to inspire how the first casting of "In the Wings II" is painted.
​
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colorinthewings.pdf
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    JK Designs’ Principal, John Kinkade, founded the National Sculptors’ Guild in 1992 with a handful of sculptors who wished to find thoughtful public applications for their work. Representation has since grown to  over 40 contracted sculptors and painters; plus an extended network of over 200 artists that our design team works with on a regular basis to meet each project's unique needs.

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    JK Designs’ Principal, John Kinkade, founded the National Sculptors’ Guild in 1992 with a handful of sculptors who wished to find thoughtful public applications for their work. Representation has since grown to over 20 contracted sculptors and painters; plus an extended network of 200+ artists that our design team works with on a regular basis to meet each project's unique needs.

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