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Paramount Touch the Sky

2/26/2017

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The city of Paramount, CA is placing National Sculptors' Guild fellow Jane DeDecker's "Touch the Sky" this year.  John just returned from dropping the sculpture off. Look for it in a park soon.

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Vogel's in the Vogel Sculpture Garden

1/11/2017

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01/11/2017: The Vogel family has commissioned National Sculptors' Guild Fellow Jane DeDecker to sculpt grandchildren to be placed in the Vogel-Schwartz Sculpture Garden in Little Rock, Arkansas. To be placed later this year.  Click here for an update
The Vogel family has commissioned National Sculptors' Guild fellow Jane DeDecker to sculpt grandchildren to be placed in the Vogel-Schwartz Sculpture Garden in Little Rock, Arkansas. To be placed later this year.
01/11/2017: The Vogel family has commissioned National Sculptors' Guild Fellow Jane DeDecker to sculpt grandchildren to be placed in the Vogel-Schwartz Sculpture Garden in Little Rock, Arkansas. To be placed later this year.

Click here for an update

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In The Wings at Robinson Performance Hall

11/8/2016

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3/10/16: Thrilled to see "In the Wings" by #JaneDeDecker and #AlysonKinkade was featured on the cover of Little Rock's Local Magazine. We love that our artwork is making an impression on this art-loving city. 

PictureNSG's John Kinkade and First Lady Susan Hutchinson admire 'In the Wings' by Jane DeDecker and Alyson Kinkade
11/8/16: The National Sculptors' Guild just installed. "In the Wings" by Jane DeDecker and Alyson Kinkade at the Robinson Center in Little Rock, Arkansas. The governor's wife stopped by to see. Thanks everyone for making this placement possible. We are pleased to be placing this sculpture in front of the renovated Robinson Music Hall.

#JaneDeDecker #AlysonKinkade #InTheWings #RobinsonCenter #LittleRock #FineArt #PaintedSculpture #PublicArt #Installation #Today #WomenArtists #goGirl #FeedYourCreativeSpirit
 — at Robinson Center.

Scheduled for enlargement is In the Wings by Jane DeDecker and Alyson Kinkade
7/27/16 Scheduled for placement in Little Rock, Arkansas this Fall is the monumental "IN THE WINGS" by JANE DEDECKER and ALYSON KINKADE, NATIONAL SCULPTORS' GUILD

Depicting abstract-figurative dancers preparing for performance. The intentionally elongated limbs on the dancers emphasize their stretch. The heads and limbs of the dancers will be sculpted in the round, and cast in bronze while their tutus are cast in aluminum to create a bold, zig-zagged crescent shape. The tutu will be painted with vibrant hues. The paint will be a rich layering of colors for added depth.

With a total height of 7ft and extending 10ft wide toe to toe, the sculpture will have a powerful yet graceful presence. The combination of figurative elements with abstract; the earthy tones with vibrant ones; creates a piece that has universal appeal. 

A study and garden size is available for separate purchase in a limited editions, each uniquely painted. ​​

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On the Count of Three in La Quinta, CA

1/26/2016

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This morning National Sculptors' Guild placed Jane DeDecker's bronze sculpture 'On the Count of Three' at the Seeley Drive roundabout in La Quinta, California. Further landscaping will follow.
This morning National Sculptors' Guild placed Jane DeDecker's bronze sculpture 'On the Count of Three' at the Seeley Drive roundabout in La Quinta, California. Further landscaping will follow.
​Traversing a roundabout, we experience art for an instant.  We drive away and the impression stays with us. The proposed design reflects on the setting and activities of this site. Focusing on Health, Vitality, Family and Community, each passing of the sculpture shall fuel and regenerate the viewer; with emphasis on positive interaction for families and friends that speaks to multiple generations with universal appeal.  The sculpture depicting young parents in sync, holding hands through their child and enjoying the child’s joy of momentary flight has added features sculpted in the wax-phase specific to this area of LaQuinta, a picnic basket, a bouquet of California Poppies and a puppy. The gestural movement elegantly echoes the pace of the world we live in. 
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Accolades in Little Rock - public art enhances a community

12/14/2015

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Recent accolades and articles in Little Rock, Arkansas are bringing some of our proudest placements to light. The National Sculptors' Guild is proud to have contributed to this great community with art since 2004! If you haven't visited Little Rock, Go!pictured NSG placements are Jane DeDecker's Patty Cake placed at River Front Park #419, and Denny Haskew's Renewal Ritual placed in 2015 in the Vogel Schwartz Sculpture Garden that NSG/JK Design's John Kinkade helped design in 2008 .

Arkansas Business Article Dec. 14, 2015 
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On the Count of Three placed in Pleasanton, CA

11/18/2015

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The National Sculptors' Guild has recently  placed Jane DeDecker's "On the Count of Three" in Pleasanton, CA. The life-sized bronze depicting a mother and father swinging their child between them by the hands was a gift to the city from the Harrington Art Partnership. NSG has worked with the Harrington's on several placements throughout the city for many years; the couple continues to elevate the city with art and have received a number of accolades including the Mayor's Award, and Couple of the Year. We're pleased to be part of positive moments in communities like this. NSG#454
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New Jane DeDecker sculpture - Renaissance

7/15/2015

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Renaissance by Jane DeDecker
Renaissance by Jane DeDecker
Introducing ‬Renaissance by Jane DeDecker
Her latest bronze sculpture is available at an introductory price thru August 6th. Order online at Columbine Gallery home to the National Sculptors' Guild

"Renaissance, or by definition “rebirth,” mystifies me conceptually, in that the act of being reborn can only be spiritual or ethereal.   I have a yearning for this particular thought in my life at this time.  This piece speaks about the beauty of emergence, the baptism of change, and the acceptance of a higher transcendence.  Botticelli describes this so beautifully in his fresco The Birth of Venus.   My family and I were traveling in Florence shortly after this fresco had been cleaned and its radiance has been haunting me since.  Only until now have I been moved to recreate sculpturally the beauty of the shell as a vessel with its rhythms created by time -- a figure holding dear the willingness to accept the virtues of a higher realm." - Jane DeDecker, National Sculptors' Guild Fellow
Pin it ‪#‎DeDecker‬ ‪#‎PreCastOffer‬ ‪#‎Renaissance

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Instagramed: our sculptures are spotted by Melissa Joan Hart

7/2/2015

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Our NSG sculpture ‪placements in Little Rock like Tim Cherry's "Rabbit Reach" and Jane DeDecker's The Ties that Bind have struck a chord with ‪‬Melissa Joan Hart during her visit to Arkansas.

Thanks Melissa! We've placed over 30 significant public art pieces in Little Rock since 2004 when we first placed artwork there designed to lead pedestrians from downtown to the William Jefferson Clinton Presidential Center; pulling our inspiration from his 1996 Bridge to 21st Century speech we selected artwork that complements the library and surrounding themes and landscape as well as President Clinton's ideals of family, cultural diversity and looking to the future. We've loved placing artwork there ever since; designing the Vogel Schwartz Sculpture Garden and developing River Front Park and the surrounding area with Dean Kumpuris and board of the Sculpture at the River Market and the many great people from the city of Little Rock. If you haven't visited this great community - GO!

#‎NSG‬ ‪#‎sculpture‬ #‎MelissaJoanHart
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Lemon Drops placed in Alva, Oklahoma

5/1/2015

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National Sculptors' Guild placed fellow Jane DeDecker's "Lemon Drops" on the south side of Alva, Oklahoma's downtown square. An unveiling ceremony was held on May 1, 2015 in downtown Alva revealing the bronze "Lemon Drops" by Jane DeDecker. Order an Alva Lemon Drops bouquet
National Sculptors' Guild public art placement 446 Jane DeDecker Lemon Drops Alva Oklahoma
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Sherlock Holmes investigates Edmond, OK

4/25/2015

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4/25/15: We've delivered National Sculptors' Guild fellow Jane DeDecker's "Sherlock Holmes" to be installed in Edmond, Oklahoma's new police facility.
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Commissioned by the city for placement in the entry where a time capsule is on display.

The sculpture is placed to appear investigating the historic time capsule. 

order a maquette.

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02/15/2015: National Sculptors' Guild fellow Jane DeDecker's Sherlock Holmes has come to life in clay. She has completed the maquette and monument, ready for casting in bronze.

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11/19/2014: The city of Edmond, OK will soon be graced with a bronze sculpture of Sherlock Holmes by National Sculptors' Guild fellow Jane DeDecker. Stay tuned for more images as she brings this sketch to life in clay. ‪#‎SherlockHolmes‬ ‪#‎EdmondArt‬ ‪#‎ComingSoon‬ ​ 

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Early Explorers installed in McEuen Park Coeur d'Alene

12/15/2014

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 National Sculptors' Guild director John Kinkade was hands on during Monday's installation of Jane DeDecker's "Early Explorers" at McEuen Park in Coeur d'Alene.  Landscaping will complete the site and this will be among the first sculptures placed in the new McEuen Park. We can't wait to see the piece in spring with complete landscape. ‪#‎PublicArt‬ ‪#‎Installation‬ #Idaho
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"Early Explorers" by Jane DeDecker, National Sculptors' Guild
The sixth piece of public art was installed at McEuen Park December 15, 2014. Early Explorers portrays two young boys and a young girl hiking on a log. It is located near the base of Tubbs Hill along the trail confluence near the Pavilion. 

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Jane DeDecker's YMCA sculpture comes to life

7/15/2014

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Some of our extended family discovered National Sculptors' Guild fellow Jane DeDecker's "YMCA" bronze at the YMCA of the Rockies over the weekend. We love to see kids interact with art!
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Patty Cake by Jane DeDecker in Little Rock, AR

6/22/2013

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The National Sculptors' Guild has successfully placed another great sculpture at River Front Park in downtown Little Rock, Arkansas. Jane DeDecker's Patty Cake joins the art-filled family friendly area. NSG#419
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On the Count of Three installed in Grand Junction, CO

12/21/2009

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National Sculptors' Guild ​Installation of Jane DeDecker's  "On the Count of Three" at St. Mary's Hospital, Grand Junction, CO
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Dusk and Dawn created for Tamarac, Florida

11/24/2009

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Dawn and Dusk commissioned bronze with steel base sculptures for the Tamarac, Florida Community Center ©2009, Jane DeDecker, National Sculptors' Guild all rights reserved

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Shadows Passing installed in Anchorage, Alaska

10/16/2009

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Shadows Passing in bronze and steel, installed at Clarke Middle School, Anchorage, Alaska October 2009
©2009, Jane DeDecker, National Sculptors' Guild all rights reserved

A project NSG and DeDecker won from a national competition to create artwork for the interior space of Clark Middle School. Installation is set for Fall 2009.

Shadows Passing speaks to how some of the most unlikely acquaintances can become life-long friends, as strangers walk past each other their shadows meet.
60"bronze figures on a 16"x24"x96" bench


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DeDecker Sculptures at Brighton Recreation Center

10/27/2006

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The National Sculptors' Guild has worked with the City of Brighton to place a number of bronze sculptures by Fellow Jane DeDecker at the entrance of the Recreation Center on 11th Avenue, Brighton, Colorado. The pieces each speak to discovery and play, depicting youth interacting with nature. ​ Jane states... “My work is a cumulative process made of my life experiences and my desire to sculpt the human form. Each piece tells a story of how it was created - every stroke supporting the narrative.”  Part of Jane’s artistic genius is her ability to select a moment to which all of us can relate on a personal level. These moments span all generations, depicting a universally recognized scene. This scene may speak of the love between parent and child, the freedom of a child’s imagination or the simple dignity of everyday tasks. Each is a timeless expression of the human experience, causing us to reflect and evaluate the importance of love, relationships and achievement. - John Kinkade, Executive Director of the National Sculptors' Guild  NSG Public Art Placements #213-216Galileo stares up into the sky...Wonder what he’s thinking.
The National Sculptors' Guild has worked with the City of Brighton to place a number of bronze sculptures by Fellow Jane DeDecker at the entrance of the Recreation Center on 11th Avenue, Brighton, Colorado. The pieces each speak to discovery and play, depicting youth actively interacting with nature.
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Jane states... “My work is a cumulative process made of my life experiences and my desire to sculpt the human form. Each piece tells a story of how it was created - every stroke supporting the narrative.”

Part of Jane’s artistic genius is her ability to select a moment to which all of us can relate on a personal level. These moments span all generations, depicting a universally recognized scene. This scene may speak of the love between parent and child, the freedom of a child’s imagination or the simple dignity of everyday tasks. Each is a timeless expression of the human experience, causing us to reflect and evaluate the importance of love, relationships and achievement. - John Kinkade, Executive Director of the National Sculptors' Guild

NSG Public Art Placement #213 Galileo, Lords of the Forest, Ears of Joy and Leaves of Grass

The National Sculptors' Guild has worked with the City of Brighton to place a number of bronze sculptures by Fellow Jane DeDecker at the entrance of the Recreation Center on 11th Avenue, Brighton, Colorado. The pieces each speak to discovery and play, depicting youth interacting with nature. ​ Jane states... “My work is a cumulative process made of my life experiences and my desire to sculpt the human form. Each piece tells a story of how it was created - every stroke supporting the narrative.”  Part of Jane’s artistic genius is her ability to select a moment to which all of us can relate on a personal level. These moments span all generations, depicting a universally recognized scene. This scene may speak of the love between parent and child, the freedom of a child’s imagination or the simple dignity of everyday tasks. Each is a timeless expression of the human experience, causing us to reflect and evaluate the importance of love, relationships and achievement. - John Kinkade, Executive Director of the National Sculptors' Guild  NSG Public Art Placements #213-216
"Lords of the Forest" As in many of Jane DeDecker’s pieces with children, a prop is used. In this case, it is a log! This sculpture speaks to activity and good health.
The National Sculptors' Guild has worked with the City of Brighton to place a number of bronze sculptures by Fellow Jane DeDecker at the entrance of the Recreation Center on 11th Avenue, Brighton, Colorado. The pieces each speak to discovery and play, depicting youth interacting with nature. ​ Jane states... “My work is a cumulative process made of my life experiences and my desire to sculpt the human form. Each piece tells a story of how it was created - every stroke supporting the narrative.”  Part of Jane’s artistic genius is her ability to select a moment to which all of us can relate on a personal level. These moments span all generations, depicting a universally recognized scene. This scene may speak of the love between parent and child, the freedom of a child’s imagination or the simple dignity of everyday tasks. Each is a timeless expression of the human experience, causing us to reflect and evaluate the importance of love, relationships and achievement. - John Kinkade, Executive Director of the National Sculptors' Guild  NSG Public Art Placements #213-216
Ears of Joy was named after a story about this boy and his dog. The story won a Pulitzer Prize.
The National Sculptors' Guild has worked with the City of Brighton to place a number of bronze sculptures by Fellow Jane DeDecker at the entrance of the Recreation Center on 11th Avenue, Brighton, Colorado. The pieces each speak to discovery and play, depicting youth interacting with nature. ​ Jane states... “My work is a cumulative process made of my life experiences and my desire to sculpt the human form. Each piece tells a story of how it was created - every stroke supporting the narrative.”  Part of Jane’s artistic genius is her ability to select a moment to which all of us can relate on a personal level. These moments span all generations, depicting a universally recognized scene. This scene may speak of the love between parent and child, the freedom of a child’s imagination or the simple dignity of everyday tasks. Each is a timeless expression of the human experience, causing us to reflect and evaluate the importance of love, relationships and achievement. - John Kinkade, Executive Director of the National Sculptors' Guild  NSG Public Art Placements #213-216
This is one of Jane’s newest sculptures. The clump of grass holds all kinds of secrets. There is a garter snake, a butterfly, worm, caterpillar, bug and more!
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Multiple Sculpture Dedications in Little Rock

11/14/2004

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Jane DeDecker's "Touch the Sky" NSG#188
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Sandy Scott's "Eagle of the Rock" NSG#191
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Jane DeDecker's "Harriet Tubman" NSG#187
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Carol Gold's "Fiesta" NSG#189
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Jane DeDecker's "Anglers" NSG#186
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Sandy Scott's "River Market Pig" NSG#193
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Mark Leichliter's "Encircling the Future" NSG#183
FOR IMMEDIATE RELEASE: November 2004
photo credit: Jafe Parsons Photography

SEVEN SCULPTURES RECENTLY PLACED BY THE COLORADO BASED GROUP NATIONAL SCULPTORS’ GUILD IN LITTLE ROCK, ARKANSAS CLINTON PRESIDENTIAL CENTER ENTRY AND SIGNATURE SCULPTURE AT LITTLE ROCK NATIONAL AIRPORT LITTLE ROCK, AR – Six bronze sculptures by National Sculptors’ Guild members left the bronze casting foundries in Wyoming and Colorado November 5th strapped to a 40-foot flat-bed truck headed along the Arkansas River to Little Rock, AR. The artwork installed later that week and was dedicated Sunday, November 14th at 2 p.m. as a portion of the Formal Pedestrian Walk from the River Market Shops to the new Clinton Presidential Center at 3rd & Clinton Avenue.
An additional sculpture preceded the Clinton Entry artwork, installed at the National Airport in September, 2004. All sculptures are by National Sculptors’ Guild Members and were presented by the NSG Executive Director, John W. Kinkade to a panel. Since the dedication, the City of Little Rock immediately began discussions of future placements from the Colorado-based organization which specializes in placing monumental sculpture across the nation.
The sculptures were created by National Sculptors’ Guild members Jane DeDecker of Loveland, CO; Carol Gold of Fairfax, CA; and Sandy Scott of Lander, WY. The artworks were selected from the proposal presented by NSG Executive Director, John W. Kinkade. Kinkade chose to pull key elements from President Clinton’s speech “Bridge to the 21st Century” to organize the progression to the library. He proposed numerous individual concepts by 14 national sculptors reflecting each theme. The Little Rock committee chose the six final artworks.
The artwork speaks to Arkansas’ quality of life and thematic subject matter derived from President Clinton’s speech “Bridge to the 21st Century”. Sandy Scott’s “Eagle of the Rock” will be placed on Clinton Avenue and “River Market Pig” will be placed at the Farmer’s Market to provide the start of a pedestrian transition from River Market to the Clinton Presidential Center, subsequently, a sculpture will be placed every 200 yards, Jane DeDecker’s “Touch the Sky”, “Anglers” & “Harriet Tubman” and Carol Gold’s “Fiesta”. (Artist Resumes and a further explanation of sculpture and placements attached)
The library placement follows the recent installation of fellow National Sculptors’ Guild member, Mark Leichliter’s sculpture “Encircling the Future”. The artwork was one of the original proposed works for the Clinton Center but was instead selected as the signature sculpture for the Little Rock National Airport in Arkansas. Leichliter of Fort Collins, CO completed the 16-foot tall
powder-coated steel sculpture in August. "I created the piece last year as a smaller sculpture," Leichliter explained, "The National Sculptors' Guild proposed the piece to the City of Little Rock who considered it for the new Clinton Library before deciding that the sculpture would best serve to welcome visitors arriving at the Little Rock airport."
The National Sculptors' Guild is an association of its design team and nationally recognized sculptors chosen for their outstanding artistic abilities and varied style with the primary objective to conceive and seek out monumental placements for members' work. Columbine Galleries serves as headquarters and home to the NSG and its’ sculpture garden, featuring some of the nation's finest monumental sculptures. 2683 N. Taft Ave., Loveland, Colorado 80538.
For further information please visit our website, www.nationalsculptorsguild.com
# # #

​Click here to see more on this placement
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National Sculptors' Guild sculptures to lead way to the William Jefferson Clinton Presidential Library

11/1/2004

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Master Plan Design by National Sculptors' Guild Executive Director John Kinkade

John Kinkade began working on this project (our first with the City of Little Rock, Arkansas) in 2003, the selected design and artwork was actualized, placed and dedicated November, 2004. Since then*, we have placed over 100 public artworks in Little Rock *12/2015. 

Below are excerpts from Kinkade's preliminary proposal. Kinkade chose to pull key elements from President Clinton’s speech “Bridge to the 21st Century” to organize the progression to the library. He proposed numerous individual concepts by 14 national sculptors reflecting each theme. The Little Rock committee chose the six final artworks. The artwork speaks to Arkansas’ quality of life and thematic subject matter derived from President Clinton’s speech “Bridge to the 21st Century”. 
​Click here to see more on this placement
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Preliminary Proposal by John Kinkade and the National Sculptors' Guild, 2003
For the Placement of Art
On the Pedestrian and Vehicular Approaches to the
William Jefferson Clinton Presidential Library
 
 
“. . .we need to build a bridge to the future, and that is what I commit to you to do.
 
So tonight let us resolve to build that bridge to the 21st century, to meet our challenges and protect our values. Let us build a bridge to help our parents raise their children, to help young people and adults to get the education and training they need, to make our streets safer, to help Americans succeed at home and at work, to break the cycle of poverty and dependence, to protect our environment for generations to come, and to maintain our world leadership for peace and freedom.
 
Lets us resolve to build that bridge.”
 
From President Clinton’s acceptance speech at the Democratic National Convention, August 30, 1996.
 
After a very informative meeting with Bryan Day and Mark Webre of the Parks and Recreation for the City of Little Rock, we approach this project with two objectives: to visually enhance the approaches to the Clinton Library and to visually lead people to the library. 
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Pedestrian Walkway and Controlled Service Drive
​This walkway provides a path where the viewer may be able to pause and refresh in quietude in a more natural situation along the River Front Park. It will be enhanced with small public squares in the shape of ellipses approximately 60 feet by 40 feet punctuating the path every 200 to 300 feet. These squares become 'public rooms'. With appropriate sculpture, they entice the pedestrian to proceed to the next square which is within visual proximity enough to see that there is another sculpture to experience. The squares should be a few hundred feet apart. The final square is within visual proximity of the Presidential Center. Placing a sculpture roughly in the middle, but with ample room to allow for the service drive, gives the square a strong and steady pulse that draws people. The squares would ideally have outdoor seating in shaded locations. This of course means that consideration should also be given to tree plantings and raised flower beds with seating walls. It is anticipated that this initial walkway will have four squares. Each square is an ideal location for the proposed sculpture.
​Click here to see more on this placement
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Touch the Sky, Brighton, CO

1/25/2002

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Touch the Sky by Fellow Jane DeDecker and the National Sculptors' Guild was placed through a public art call at 525 E. Bridge Street, Brighton, Colorado.  This bronze sculpture of four children playing on and around a large tree stump was created in 1997. It was conceived to meet the need of a sculpture with children that had enough o fa presence to be placed in a large park and not seem dwarfed by the surroundings. The artist effectively solved this problem by using a large tree stump as a prop. This prop gives the sculpture enough mass to hold its own in the great outdoors. The children on the stump represent a number of emotions that all children have. The girl with hands raised to the sky exudes the exhilaration of the moment. One of the children on the log shows the tentativeness of being on top of the stump. A little boy at the base of the stump is in his own world looking at a bug. In all, the work carries the theme of the circle of life and the many experiences that go with it: from the fallen tree to the children’s exploration of life. The monument is 8’9”H 5’W and5’D. It has been placed at ground level so that children may easily relate to it. Decorative grasses will surround it giving it a naturalized appearance that is appealing year-round.  ​NSG Public Art Placement #138Touch the Sky by Jane DeDecker and the National Sculptors' Guild
Touch the Sky by Fellow Jane DeDecker and the National Sculptors' Guild was placed through a public art call at 525 E. Bridge Street, Brighton, Colorado.

This bronze sculpture of four children playing on and around a large tree stump was created in 1997. It was conceived to meet the need of a sculpture with children that had enough o fa presence to be placed in a large park and not seem dwarfed by the surroundings. The artist effectively solved this problem by using a large tree stump as a prop. This prop gives the sculpture enough mass to hold its own in the great outdoors. The children on the stump represent a number of emotions that all children have. The girl with hands raised to the sky exudes the exhilaration of the moment. One of the children on the log shows the tentativeness of being on top of the stump. A little boy at the base of the stump is in his own world looking at a bug. In all, the work carries the theme of the circle of life and the many experiences that go with it: from the fallen tree to the children’s exploration of life. The monument is 8’9”H 5’W and5’D. It has been placed at ground level so that children may easily relate to it. Decorative grasses will surround it giving it a naturalized appearance that is appealing year-round.

​NSG Public Art Placement #138

Touch the Sky by Fellow Jane DeDecker and the National Sculptors' Guild was placed through a public art call at 525 E. Bridge Street, Brighton, Colorado.

This bronze sculpture of four children playing on and around a large tree stump was created in 1997. It was conceived to meet the need of a sculpture with children that had enough o fa presence to be placed in a large park and not seem dwarfed by the surroundings. The artist effectively solved this problem by using a large tree stump as a prop. This prop gives the sculpture enough mass to hold its own in the great outdoors. The children on the stump represent a number of emotions that all children have. The girl with hands raised to the sky exudes the exhilaration of the moment. One of the children on the log shows the tentativeness of being on top of the stump. A little boy at the base of the stump is in his own world looking at a bug. In all, the work carries the theme of the circle of life and the many experiences that go with it: from the fallen tree to the children’s exploration of life. The monument is 8’9”H 5’W and5’D. It has been placed at ground level so that children may easily relate to it. Decorative grasses will surround it giving it a naturalized appearance that is appealing year-round.

​NSG Public Art Placement #138
Touch the Sky by Fellow Jane DeDecker and the National Sculptors' Guild was placed through a public art call at 525 E. Bridge Street, Brighton, Colorado.

This bronze sculpture of four children playing on and around a large tree stump was created in 1997. It was conceived to meet the need of a sculpture with children that had enough o fa presence to be placed in a large park and not seem dwarfed by the surroundings. The artist effectively solved this problem by using a large tree stump as a prop. This prop gives the sculpture enough mass to hold its own in the great outdoors. The children on the stump represent a number of emotions that all children have. The girl with hands raised to the sky exudes the exhilaration of the moment. One of the children on the log shows the tentativeness of being on top of the stump. A little boy at the base of the stump is in his own world looking at a bug. In all, the work carries the theme of the circle of life and the many experiences that go with it: from the fallen tree to the children’s exploration of life. The monument is 8’9”H 5’W and5’D. It has been placed at ground level so that children may easily relate to it. Decorative grasses will surround it giving it a naturalized appearance that is appealing year-round.

​NSG Public Art Placement #138
Touch the Sky by Fellow Jane DeDecker and the National Sculptors' Guild was placed through a public art call at 525 E. Bridge Street, Brighton, Colorado.

This bronze sculpture of four children playing on and around a large tree stump was created in 1997. It was conceived to meet the need of a sculpture with children that had enough o fa presence to be placed in a large park and not seem dwarfed by the surroundings. The artist effectively solved this problem by using a large tree stump as a prop. This prop gives the sculpture enough mass to hold its own in the great outdoors. The children on the stump represent a number of emotions that all children have. The girl with hands raised to the sky exudes the exhilaration of the moment. One of the children on the log shows the tentativeness of being on top of the stump. A little boy at the base of the stump is in his own world looking at a bug. In all, the work carries the theme of the circle of life and the many experiences that go with it: from the fallen tree to the children’s exploration of life. The monument is 8’9”H 5’W and5’D. It has been placed at ground level so that children may easily relate to it. Decorative grasses will surround it giving it a naturalized appearance that is appealing year-round.

​NSG Public Art Placement #138
Touch the Sky by Fellow Jane DeDecker and the National Sculptors' Guild was placed through a public art call at 525 E. Bridge Street, Brighton, Colorado.

This bronze sculpture of four children playing on and around a large tree stump was created in 1997. It was conceived to meet the need of a sculpture with children that had enough o fa presence to be placed in a large park and not seem dwarfed by the surroundings. The artist effectively solved this problem by using a large tree stump as a prop. This prop gives the sculpture enough mass to hold its own in the great outdoors. The children on the stump represent a number of emotions that all children have. The girl with hands raised to the sky exudes the exhilaration of the moment. One of the children on the log shows the tentativeness of being on top of the stump. A little boy at the base of the stump is in his own world looking at a bug. In all, the work carries the theme of the circle of life and the many experiences that go with it: from the fallen tree to the children’s exploration of life. The monument is 8’9”H 5’W and5’D. It has been placed at ground level so that children may easily relate to it. Decorative grasses will surround it giving it a naturalized appearance that is appealing year-round.

​NSG Public Art Placement #138
Touch the Sky by Fellow Jane DeDecker and the National Sculptors' Guild was placed through a public art call at 525 E. Bridge Street, Brighton, Colorado.

This bronze sculpture of four children playing on and around a large tree stump was created in 1997. It was conceived to meet the need of a sculpture with children that had enough o fa presence to be placed in a large park and not seem dwarfed by the surroundings. The artist effectively solved this problem by using a large tree stump as a prop. This prop gives the sculpture enough mass to hold its own in the great outdoors. The children on the stump represent a number of emotions that all children have. The girl with hands raised to the sky exudes the exhilaration of the moment. One of the children on the log shows the tentativeness of being on top of the stump. A little boy at the base of the stump is in his own world looking at a bug. In all, the work carries the theme of the circle of life and the many experiences that go with it: from the fallen tree to the children’s exploration of life. The monument is 8’9”H 5’W and5’D. It has been placed at ground level so that children may easily relate to it. Decorative grasses will surround it giving it a naturalized appearance that is appealing year-round.

​NSG Public Art Placement #138
Touch the Sky by Fellow Jane DeDecker and the National Sculptors' Guild was placed through a public art call at 525 E. Bridge Street, Brighton, Colorado.

This bronze sculpture of four children playing on and around a large tree stump was created in 1997. It was conceived to meet the need of a sculpture with children that had enough o fa presence to be placed in a large park and not seem dwarfed by the surroundings. The artist effectively solved this problem by using a large tree stump as a prop. This prop gives the sculpture enough mass to hold its own in the great outdoors. The children on the stump represent a number of emotions that all children have. The girl with hands raised to the sky exudes the exhilaration of the moment. One of the children on the log shows the tentativeness of being on top of the stump. A little boy at the base of the stump is in his own world looking at a bug. In all, the work carries the theme of the circle of life and the many experiences that go with it: from the fallen tree to the children’s exploration of life. The monument is 8’9”H 5’W and5’D. It has been placed at ground level so that children may easily relate to it. Decorative grasses will surround it giving it a naturalized appearance that is appealing year-round.

​NSG Public Art Placement #138
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    JK Designs’ Principal, John Kinkade, founded the National Sculptors’ Guild in 1992 with a handful of sculptors who wished to find thoughtful public applications for their work. Representation has since grown to  over 40 contracted sculptors and painters; plus an extended network of over 200 artists that our design team works with on a regular basis to meet each project's unique needs.

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    JK Designs’ Principal, John Kinkade, founded the National Sculptors’ Guild in 1992 with a handful of sculptors who wished to find thoughtful public applications for their work. Representation has since grown to over 20 contracted sculptors and painters; plus an extended network of 200+ artists that our design team works with on a regular basis to meet each project's unique needs.

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